Next Thursday evening (9/28) at 7:30pm, National Sawdust (80 N 6th St) is presenting a night of inspired food, mixology and music as they pair up small bites and cocktails with custom-composed music to simultaneously tickle your ears and your tastebuds.
James Beard Award-winning chef Patrick Connolly of Rider (National Sawdust’s sister restaurant) and “cocktail world enigma” Allen Katz, mixologist and local distiller at New York Distilling Company (79 Richardson St), will create the tantalizing culinary experience, which will offer four canapés (three h’ors doeuvres + dessert) and five cocktails on tap.
Musicians include jazz singer Magos Herrera, multi-instrumentalist Yuka C. Honda (of Cibo Matto), and pianist Oded Lev-Ari, who will lead the ensemble in a program ranging from tango to electronic music to Mexican folk song, including the world premiere of Chopping Music and a piece inspired by the humble juniper berry.
And, audience members get 20% off their bill at Rider after the event. Advance tickets are $70 and available here. Continue reading →
It’s always a treat when Thee Oh Sees go on tour and play a few shows in Brooklyn. I always make it a point to go at least once because it’s nothing short of awesome. Thee Oh Sees psyched out the crowd at the Warsaw (261 Driggs Avenue) with dynamic jams with loud-meets-fast-riffs. Continue reading →
The new album, titled TFCF (Theme From Crying Fountain), is the first album since the departure of founding member Aaron Hemphill. The live show will have band members from Bamabara, and will include songs previously recorded but not released by Liars.
We caught up with Andrew during his break between the European and US tours to discuss the making of TFCF – which included a couple years of self-imposed isolation in the Australian bush. We also can’t wait to catch his show in Greenpoint and see first hand what he’s been up to down under.
This interview has been edited and condensed for clarity.
Greenpointers: You’ve been based in the States for a long time, but wrote this album in Australia. What brought you back there in the first place?
Angus Andrew: There was a lot pulling me back there. I’d wanted to move back there for a long time actually, but it’s very tricky when you are a touring band to be based out there, but eventually… I made the leave… and thankfully got a good amount of time with my dad before he passed away and so it was really a good thing for me to do… I live in a pretty isolated spot which you can only get to by boat.Continue reading →
♦ SummerScreen: I Know What You Did Last Summer @ McCarren Park, 6pm, FREE, Let’s toast … to us, to our last summer of immature, adolescent decadence. Gates open at 6pm, Sammus performs at 7:30pm, and the film starts at sundown, More info * Trivia Night @Archestratus (160 Huron St), 8pm, FREE, Categories various, beer innumerable, arancine aplenty. There will be three rounds + a lightning round, but only one epic trophy, RSVP * Goldeneye Tournament @ Sunnyvale (1031 Grand St), 11:30pm, FREE, 4 Fresh Controllers, 8 characters, But only one Oddjob. Martinis at Happy Hour prices and $3 beers, More info
# Long Island Breweries Night @ Barcade (388 Union Ave), 4pm, FREE, Bevy of breweries for a night celebrating all things Long Island, More info
# Lust, Brains, and Taste @ MOFAD (62 Bayard St), 6:30pm, $30, Titillating evening exploring how taste, smell, and all of our other senses drive attraction and desire, Buy tix * The Mx. Nobody Pageant @ Brooklyn Bazaar (150 Greenpoint Ave), 8pm, FREE, The Nobodies are back with the second year of their signature un-pageant. Competitors throw down the Newness, Outlook, Passion, and Eeugh it takes to make us scream NOPE, More info Continue reading →
♦ SummerScreen: Donnie Darko @ McCarren Park, 6pm, FREE, 16th anniversary celebration of Donnie Darko. Gates open at 6pm, grunge-infused rockers Sharkmuffin plays the TIDAL Rising Stage at 7:30pm, and the film starts at sundown, More info # Banned Countries Dinner Series: Sudan Edition @ Franklin Guesthouse (214 Franklin St), 6:30pm, $125, Celebrate Sudanese food and culture by enjoying a family-style feast inspired by Omer Eltigani, author of the forthcoming cookbook The Sudanese Kitchen. Multiple courses, unlimited house wine and vegetarian options are available, Buy tix ♫ WHAT NOW? Sessions: The Sifer, Sakinah Iman, Paco G Train Bandit @ Terra Firma (119 Ingraham St), 8pm, $5, Fusion of the Hip Hop cypher and the Jazz jam session. Emcees bring your bars. Singers bring your melodies. Musicians bring your instruments. Everyone bring your vibe and let’s rock out, RSVP * Microdosing Workshop: Sacred Plants to Enhance Mind-Body-Spirit @ Narayana Integrative Center (191 Nassau Ave), 8:15pm, $20, Learn how you can feel better, increase energy, improve focus, inspire creativity, balance mood, relax, sleep well, and expand awareness with sacred plant microdosing, More info
# American Food and Immigration Policy @ MOFAD (62 Bayard St), 6:30pm, $20, An evening of thought-provoking discussion, followed by an informal reception featuring light refreshments from Brooklyn Brewery and Sonia Perez, a street cart vendor and member of Street Vendor Project’s Leadership Council, More info
♦ Superhero Figure Drawing @ Brooklyn Art Library (28 Frost St), 7pm, $10, Practice your cape drawing skills, with everything from pen to graphite — but leave your kryptonite at home, Buy tix * 3D VHS Festival @ The City Reliquary (370 Metropolitan Ave), 7pm, $10, In the garden, the Museum of Interesting Things takes us back to a future that the past never saw coming! See excerpts from movies–not just on VHS, but 3D VHS, More info ♦ Jonathas de Andrade Presents Bodanzky and Senna’s Iracema @ Light Industry (155 Freeman St), 7:30pm, $8, Inspired by neorealism as well as the films of John Cassavetes and Jean Rouch, the directors constructed Iracema by enacting a road-movie scenario inside everyday settings, combining artifice and documentary to yield a richly atmospheric parable whose lessons still maintain a grim relevance, More info ♫ DJ Questlove Presents: Bowl Train @ Brooklyn Bowl (61 Wythe Ave), 11:30pm, $10, Buy tix Continue reading →
It’s hard getting to the beginning of anything, but with Troost (1011 Manhattan Ave) in Greenpoint, it might help to keep in mind a street sign in Kansas City: Troost Ave. “I just liked the way it looked,” the owner, John Ortiz says, one evening during a sit down at Goldie’s, on what we both agree is the “other side” of Greenpoint. Troost opened its doors in 2011. It started as a café, beer and wine bar. But it’s grown since then to include a full bar and live music. But John is specific. It is “not a music venue. It’s a bar that has music.” It having music occupies a lot of the conversation.
“It’s interesting,” he says, “to see artists respond when you put limitations on them.” The limitations are familiar to anyone who attends shows or is a musician in New York. They come down to two things: noise and space. “It’s almost always worked out. One or two cases, maybe.” One aspect that keeps things going is a good relationship with the neighbors. “They all have my number. They’re great. Sometimes I get a text saying, ‘hey, last night was a little loud,’ but for the most part, the relationship is really good.” Another is just figuring out who could and should play. Who does the approaching? “It’s pretty much word of mouth, musicians putting me in touch with other musicians,” he says. Continue reading →
The past week has been musically great, with reformed acts playing sold out shows around town. Texas-based punk rockers The Marked Men bashed their way through back-to-back gigs, first Thursday at St. Vitus (1120 Manhattan Ave.) then onto their initially announced Brooklyn Bazaar (150 Greenpoint Ave.) show on Friday. The band’s old-school punk riffing and ear for hooks has endeared them a strong following even if they haven’t released an album since 09’s Ghosts. The venue was packed with a sea of black leather and safety pinned battle jackets, with the crowd singing or shouting in response to the band throughout their set.
In a world full of bullshit and bullshitters, Danny Brown is as clean as a whistle. In fact, his authenticity is perhaps as pure as a baby bull’s shit. No matter how it’s put, Danny Brown is a true artist, and there’s a new documentary out tonight that will school you on the matter.
Directed by Andrew Cohn (of Medora fame), Danny Brown: Live at the Majestic captures raw moments with the indie rapper as he prepares for a homecoming show at The Majestic Theatre in Detroit. With 21 cameras, Cohn’s crew captured full coverage of the live show, but the documentary also includes intimate footage with Danny in his own hometown.
Andrew Cohn, whose career initially started with screenwriting in Los Angeles, but who is now based in Brooklyn, enjoyed much success with his first documentary, Medora. The heart-wrenching doc follows a seemingly hopeless small-town high school basketball team through their losing streak in Medora, Indiana. The film premiered at SXSW, and it won an Emmy last year.
Danny Brown: Live at the Majestic is one of Cohn’s newest documentaries (he also just finished Night School). This time, as with Medora, he seems to have been born to make this film. As a Michiganian, Cohn was a fan of Danny Brown before the rapper’s fame hit global proportions — before XXX or Old hit the charts — back when Brown was just a drug dealer in Detroit trying to make it as a rapper. Cohn says he remembers when it was a big deal whenever Danny was featured on the cover of “Metro Times” in Detroit. As a fellow Midwestern artist, he’s enjoyed seeing Brown’s fame rise as his own filmmaking success has evolved.
I had the chance to catch up with Cohn about the documentary — how it came about and what it was like working with the creative force that is Danny Brown.
Greenpointers: What made you decide to make a doc on Danny Brown?
Andrew Cohn: It kinda came about as a side project because I was in the middle of making Night School, which I was in Indianapolis for. I had been in touch with his manager about doing a doc… and had lots of ideas that just fizzled and nothing came of [them]. But when I was making Night School… his manager approached me and said, ‘Danny is doing this show…it’s his first time doing a solo show in Detroit in a long time and we wanna film it, and want to talk to you to see if there’s something bigger you want to build around it.’ And immediately I was like ‘That sounds great, I’m close, I already have a crew and a ton of resources in Detroit and Michigan since that’s where I’m from’…So, first thing we wanted to do was shoot the fuck out of the live show…we wanted to just totally blow it out… And then I went back [to Indianapolis] to finish [Night School]. And, obviously, I spent about three days interviewing Danny while I was in Detroit… then had the idea to follow some fans who were at the show, and spent a few days with them, and slowly, slowly it started coming together… It was about a sixteen-month process from the first day of shooting.
GP: How did you find the fans who were featured in the film?
AC: Danny put out a Facebook post asking for fans who were going to be at the show who might be willing to be filmed…and we found some really great characters, you know, his fan base is super, super interesting… I think for Danny, he has a lot of fans who aren’t hip hop fans, a lot of them are punk rock fans. You’ll see a lot of mosh pits at his show. But I think that’s what’s great about Danny — he brings that vulnerability to his song writing. It’s not all braggadocious. He has that street credit, but he also has a punk rock mentality. Like, he refused to sign to a major label, he has this independent streak in him where he just does things his way, and I think the audience really reacts to that. He just has a really wide audience…like a lot of kids that come to his shows, I don’t think they’re gonna see a Drake show. He speaks to people that feel maybe disenfranchised, or people that are attracted to that kind of honesty.
GP: I was really impressed with how open and honest he was [in the film]. Was it easy to get him to open up like that in the conversations you had with him?
AC: Surprisingly so. I’ve done some profiles on some bigger artists and there’s always this kind of wall. They give you the PR spin of, like, an athlete after a basketball game, ‘Both teams played hard’ — this kind of sound byte stuff. But as soon as I met him — and I’m a huge Danny Brown fan — I totally understood why people love him so much. He’s so open and so honest and so vulnerable and raw. There’s none of that fake bullshit.
The first day I met him, we were filming late at night at the EL-P show, and they were all going to go back to Danny’s house and hang out after, and I [asked to come and film] and he was like, ‘Yeah of course!’ But I didn’t have car. I was trying to figure out how I would get back to the hotel…and he was like, ‘Oh, you can spend the night at my house! It’s fine.’ It was the first day I met this guy and he was inviting me to crash on his couch. At the time it didn’t seem like a big deal, but now, looking back, I’m like, ‘Damn, that’s crazy. That’s crazy.’
GP: So, why did you approach his manager initially? Was it just because you’re a big fan?
AC: Yeah, I mean I’ve been a fan of his for a long time. I remember Danny Brown before he was big at all…he was just another rapper from Detroit. He just opened for people – he was just one of the dozens of rappers in Detroit doing their thing…To see him transcend that and be really big was really really fun to watch. And so when I approached Dart, his manager, I showed him Medora, and he and his wife really loved the film, and knew that they would be in good hands. And I just started this relationship that ended up taking a long time to come to fruition, but I think in the end there was a trust there — like we’re from the same place, we have the same point of view, you know. So that’s what was cool about doing the doc…I didn’t have to sit down and Google ‘Danny Brown’ and do research on who he is…I already knew his full story, so it made it easy when we were interviewing or talking, because I understood where he was coming from.
GP: What made you decide to have the world premiere through Rooftop Films?
AC:Just because I know Dan [Nuxoll, Program Director], and I know that they put on amazing screenings. The screening they did with Medora was unbelievable…so I knew I would be in good hands. They said that they had requests for 2,100 tickets in like three hours, or something like that, so I knew they would be able to handle the volume and accommodate Danny’s fans. I think that was really important to us — to have something where Danny’s fans have access…[something that] was going to be free, was going to be open to the public…all ages, 18 and over. So that was important to us. And you know, New York is a big market for him, so it made sense.
GP: Most of your work seems to revolve around people in low-income situations. What draws you to that landscape?
AC: I think that I love stories of underdogs. I’m not exactly sure why. I enjoy giving a voice to people who might not be given that platform. I think that there’s a lot of people out there in that part of the country who are really overcoming a lot of odds that don’t really get credit for it. So to be able to shine a light on people who wouldn’t have their stories told is really important to me. I think everyone is attracted to different types of material, and I like just making movies about real people who are trying to live in the real world, you know, and I think there are really courageous stories in that space. And I’m from the Midwest and obviously I love the Midwest — there’s just the frankness of the people — they’re very forthcoming and honest — and so I like telling stories about that part of the country — that part of the world.
GP: What are you working on now?
AC: I just finished my other film, so [I’m] figuring out the rollout with that. I’m doing something for MTV, Vice, ESPN, doing some television stuff, then basically taking a break. This will be my fourth feature film in three years. I’ve been going pretty hard for the past two years, so I’m going to take a break and see what’s next.
GP: Do you have an idea of what you would want to work on next?
AC:Yeah, I want to take a stab at doing a narrative film. Get back to screenwriting and hopefully direct something narrative. I have a couple ideas for docs. There are plenty of opportunities coming my way and it’s hard to say no, but I need to do laundry, and just get my life back on track.
GP: Get back to the basics.
AC: Yeah, exactly.
GP: I mean, that’s a good problem to have as a filmmaker.
AC: Yeah, I’m super grateful. Especially for the opportunity to make a film about your favorite rapper…it seems so surreal. I’m just grateful to have the relationship with him. He’s just a great guy, you know.
Yeah! I know.
Attendance for tonight’s show is on a first come, first serve basis, and doors open at 7. Screening starts at 8:30, followed by a Q&A with Danny Brown and Andrew Cohn. Danny performs at 10PM. House of Vans is located at 25 Franklin Street in Greenpoint.
“This neighborhood is becoming a vinyl mecca,” says Robert Piskorski, owner of Dream Fishing Tackle (673 Manhattan Ave). His store, which opened 17 years ago, was known for selling fishing gear until a year and a half ago, when his daughter convinced him to start stocking antiques and quirky artifacts in a portion of the store, while still allocating much of the space for “hardcore saltwater and hardcore freshwater” fishermen’s supplies. Then about six months ago, Piskorski began carrying vintage vinyl alongside the fishing tackle and antiques. Perhaps this motley selection was brought about by his own personal disdain for big retailers like Walmart or “boring boutiques in Manhattan. They all look the same.” He feels that an optimal shopping experience brings “a sense of adventure and discovery.” Dream Fishing Tackle certainly promotes that ideology, and it’s unique to Greenpoint.