If you have not heard of rapper, former chef and Viceland host Action Bronson’s low culture cult following, you may soon be aware of his larger-than-life presence. Born in Queens and reportedly living in North Brooklyn, he has become an icon somewhat for his brazen rap stylings, but is probably more acclaimed for his self-proclaimed lyrical adoration of the pre-packaged foods most of us grew up with—chicken tenders, Starburst, Steak-umms; and his more complex and grown-up gourmet tastes—steak that’s aged for over 20 days, lamb that’s been roasted over 7 hours, stuffing filled with truffles and pears. As a chubby, foul-mouthed yet lovable character, he appeals to many: the shameless (those who would happily chow down on dirty water hotdogs), the detail-oriented (people who would source the best ingredients to create a very simple meal) and the fun-food-havers (regular people at a backyard BBQ where the smoker’s been going for hours, where homemade food and booze is abundant and anything goes). Continue reading
Teacup Music is hosting a FREE trial class tomorrow (Wednesday, 9/20) for beginner violin students ages 3-6 years old.
Where: Park Church Co-Op (129 Russell St)
Ages: 3-6 Years
The goal of the program is fostering creativity and a passion for music in early childhood. Not only will students learn basic music theory and get a hands on look at a musical instrument, they will also develop skills in creativity, memory, and self confidence.
Check out the first class for free before committing to the Fall semester. Teacup Music also provides Sliding Scale scholarships to low income families.
Hey babes. We love the change of seasons for a few reasons: themed holidays, fancy drinks, new projects, great shows, and art. And, one of our top favorite reasons? New clothes. Oh yes, it’s one of the best things—what new pieces can add some fit and flair to your wardrobe?
In God We Trust (70 Greenpoint Ave) outdid themselves again this season. With clean lines, cool jumpsuits, and sassy bomber jackets, this autumn season is full of attitude and lots of swag style. Browse some stellar styles and drop it like it’s hot.
It’s always a treat when Thee Oh Sees go on tour and play a few shows in Brooklyn. I always make it a point to go at least once because it’s nothing short of awesome. Thee Oh Sees psyched out the crowd at the Warsaw (261 Driggs Avenue) with dynamic jams with loud-meets-fast-riffs.
Nazi Leprechauns and Killer Crabs at Film Noir Cinema Presented by The Miskatonic Institute of Horror Studies! (Tomorrow, Tues, 9/19)
Tomorrow night (Tues, 9/19) at Film Noir Cinema (122 Meserole Ave), the Miskatonic Institute of Horror Studies presents NYC-based author, performer and miscreant Grady Hendrix, who will chat about his latest book, Paperbacks From Hell: The Twisted History of ’70s and ’80s Horror Fiction, followed by a panel discussion with the talented artists behind some of the most disturbing horror novel covers of all time. After trolling the shelves of secondhand shops and used bookstores, Grady was inspired to pen a detailed history of horror fiction’s big boom in the late ’70s and early-to-mid ’80s. Three big-hit books kicked off the popular category: Rosemary’s Baby, The Exorcist and The Other. Prior to that, “Horror was not a genre,” says Grady.
After their colossal success, publishers saw a ripe new market, and a moneymaking opportunity—and the crazy cover graphics were essentially advertisements for the books themselves. Some of the smaller horror publishers couldn’t afford B-list or even C-list writers, so they’d put all of their budgets into hiring the best cover artists. “They knew the one chance they had to sell this book was the cover art,” Grady says. “You want to stand out… and you’ve got one chance.” And the more over-the-top the cover art was, the better. Grady’s seen ’em all: from a skeleton delivering mail to Nazi leprechauns to killer crabs, horror art was definitely having its heyday. Continue reading
Angus Andrew dropped a new Liars album last month on Mute Records, and is performing at Warsaw (261 Driggs Ave) on September 21. YVETTE and Idgy Dean will open. You can get tickets here, and check out the album here.
The new album, titled TFCF (Theme From Crying Fountain), is the first album since the departure of founding member Aaron Hemphill. The live show will have band members from Bamabara, and will include songs previously recorded but not released by Liars.
We caught up with Andrew during his break between the European and US tours to discuss the making of TFCF – which included a couple years of self-imposed isolation in the Australian bush. We also can’t wait to catch his show in Greenpoint and see first hand what he’s been up to down under.
This interview has been edited and condensed for clarity.
Greenpointers: You’ve been based in the States for a long time, but wrote this album in Australia. What brought you back there in the first place?
Angus Andrew: There was a lot pulling me back there. I’d wanted to move back there for a long time actually, but it’s very tricky when you are a touring band to be based out there, but eventually… I made the leave… and thankfully got a good amount of time with my dad before he passed away and so it was really a good thing for me to do… I live in a pretty isolated spot which you can only get to by boat. Continue reading
When I think of music concerts, I think of long lines, sticky floors, overpriced alcohol, and the buzzing sound that permeates my ears long after the music ends. Sofar Sounds is an organization that presents only the elemental parts of a concert without all that extra noise—at a Sofar Sounds concert, it is simply the artist and the audience.
Last Wednesday, Sofar Sounds presented an evening of music at WMA Studios (66 Green Street) in Greenpoint. The venue was kept secret until the day before, and the invited patrons who applied for tickets filed into the space from the rain outside. Attendees sat on colorful tapestries strewn across the floor, and I sat down on a throw pillow I brought from home. Sofar Sounds events are BYOB, and attendees popped bottles of wine, sipped cans of beer, and clinked copper mule mugs throughout the concert. Continue reading
Paintings, Ceramics, Dolly Parton and a Post-Apocalyptic Graffiti Wonderland: Weekend Art Roundup 9/15–9/17
Greenpoint Hill’s newest show features works from all-female artists ranging from hand-painted digital prints to ceramics to paintings. “The works share an emphasis on materiality. Just as Elizabeth Murray’s painting, an oil painting on a rectangle, was pushed to 3-d objecthood by rotating the canvas about 45 degrees, the work in this exhibition does not simply exist as 2-dimensional image. In Maria Caladra’s work, this shift occurs more subtly, through the mark-making. The work in Parting and Together asks for a more intimate viewing experience.” Continue reading
Giordanne Salley spends a few weeks each summer out of the city. She retreats to the rocky coastlines and glacier-carved forests of our Northeastern-most state. There, she quickly assumes the circadian rhythms of nature, in part, encouraged by a lack of cell phone reception. Swimming, kayaking, and hiking, Salley studies the sun and changing colors of the day. Upon returning to New York she begins painting these summer experiences. Nude figures running freely among raw pebbly beaches, silky waters, and deciduous brush; Giordanne has managed to transport the spirit of the spruce islands to her Greenpoint studio.
Greenpointers: When were you first exposed to art as a child?
Giordanne Salley: I am originally from Southwest Ohio. My parents took us to the Dayton Art Institute on the weekends which had an interesting collection of art for a city of its size. We would picnic in the gardens and spend the rest of the afternoon exploring the various exhibits. I remember once looking at a Josef Albers’ red square painting and wondering why it was in a museum. I find it ironic now because I’ve taken color theory classes and really appreciate his work. Being homeschooled until the sixth grade, my parents always encouraged me to take on any form of self-expression I wanted. I was constantly being supplied with paper and drawing tools. I could organize my time differently than kids in school, and was able to spend a lot of time exploring nature. This remains very important to me and my paintings.
Dan Croll played to an energetic and dynamic crowd at Brooklyn Bazaar (150 Greenpoint Ave) on Thursday night to promote the release of his second album, Emerging Adulthood. The night opened with The Dig, a New York indie rock band whose sound is a melodic synth-pop that hits hard in all the right places. With two lead singers, the band kept the crowd engaged and intrigued, swapping instruments and sounds from one song to the next. Tired of Love, the name of their tour and also a track on their new album, pulls at your heart in an undeniably relatable way. It’s haunting and captivating and a song that you won’t tire of soon. Their hit I Already Forgot Everything You Said is catchy and memorable, telling the story of a turbulent love between two people that feels familiar yet fresh.