Debbie Harry played a free sold-out show with Blondie last Friday at Greenpoint’s House of Vans (25 Franklin Street). The venue also played host to a photography exhibit of portraits and NYC life in the 70s and 80s by Blondie guitarist Chris Stein. The band brought the house down with three of its original members (lead singer Debbie Harry, guitarist Chris Stein and drummer Clem Burke) and additional newer musicians performing more than an hour of crowd favorites—opening with One Way or Another, then dropping a cover of Beastie Boys’ Fight For Your Right (To Party) right after their own hit Heart of Glass, and finally Dreaming closed out the night. Debbie Harry, who we should point out is the first rapper to ever chart at #1, looked and sounded amazing (unbelievably, she’s 73!) decked out in bright neons and a custom cape that read “STOP FUCKING THE PLANET” on the back. Thank you, Blondie. Keep on rockin’.
This will be the last season for House of Vans; the venue will close at the end of the summer “so that we can continue to evolve House of Vans experiences with broader communities across the U.S.,” according to a statement by programming manager Brooke Burt. On August 3rd, Against Me! will play a free show. Click here for their full schedule.
# Pasta Fresca Plate @ Archestratus (160 Huron St.), 7pm, $20, RSVP ☺Funhouse Comedy@ Pete’s Candy Store (709 Lorimer), 8pm, FREE, More info ♫ On Rotation Wednesdays @ Rose Gold (96 Morgan Ave), 10pm, FREE,Wednesdays in May crews from record shops around the city bring their collections and curate the sounds of the evening. More Info
♦ Cat on a Hot Tin Roof with a Brandy Alexander @ Videology (308 Bedford Ave.), 6:45pm, $24, Buy Tix ♦ The Art Party @ House of Vans (25 Franklin St.), 7pm, $50, Buy Tix ♦ Screening of Saving Jamaica Bay @Kings County Brewers Collective (381 Troutman St), 7pm, FREE, A documentary screening hosted by Kingsland Wildflowers, More Info ♦ Art Opening: Not Enough Blood @ Brouwerij Lane (78 Greenpoint Ave), 7pm, FREE, Original Art by Andy Fletcher, More Info ☺ LOLOLpalooza @ Threes (113 Franklin St.), 8pm, $5, Music Comedy acts will range from folk punk to freestyle hiphop to piano torch songs, More Info ♦ Not an Ending at All @ Triskelion Arts (106 Calyer), 8pm, $18, An evening-length work which explores the homes we build for the spirits that haunt us, Buy TixContinue reading →
♦ New Paintings by Self-Indulgence @ South 4th Bar (90 South 4th St), 6pm, FREE, All new paintings by Self-Indulgence featuring the writing styles of lengendary graffiti artist OUI, More info # Sex on Stage: Creative Activism Dinner @ New Women Space (188 Woodpoint Rd), 7pm, by Donation, Community potluck discussion with feminist activists who are using the performing arts to educate the public about sexuality, Buy tix * Royal Headache @ House of Vans (25 Franklin St), 7pm, FREE, Hell yeah good times and rad new memories with Sheer Mag, Downtown Boys, RSVP
♫ Spain-Brooklyn Music Series @ Nowadays (56-06 Cooper Ave), 6pm, $15, A celebration of the best independent music from Spain and Brooklyn with El Guincho, Extraperlo, Noia and Turnbull Green (DJ set), Buy tix
# Pizza Night @ Archestratus (160 Huron St), 7pm, $2, Pick up to ten of twenty available toppings to create the personal pizza of your dreams! $18 per pie day-of ($2 to RSVP). We have gluten-free crusts, too! RSVP * Resist: Learning from the Young Lords at [email protected]@UnionDocs (322 Union Ave), 7:30pm, $10, Approaching questions of how the Young Lords fight for economic, racial and social justice has changed in the present day. Discuss how the community based in the Southside of Williamsburg views and continues their work today, Buy tix ^ Lips, Teeth, Tongue: An Evening of Food Sex Lit @ The William Vale Hotel (111 North 12th St), 8pm, by Donation, Salacious evening of readings to tickle your tongue, your brain and your funny bone. From New York’s seductive burlesque performers to its hungry food editors, our readers are experts in the sensory pleasures of taste, More info ♫ Panorama x Working Women @ Black Flamingo (168 Borinquen Pl), 10pm, FREE, With Gene Tellem b2b Lis Dalton and Barbie Bertisch. Chance to win a pair of 3-Day VIP passes to Panorama with RSVP plus a pair of passes will be given out at the show, RSVP Continue reading →
It’s summer, y’all (temps almost broke 90 today so we can officially say that now), which means it’s time to get your butts out there and see some live music and DJs. North Brooklyn is awash with options this year, some of them free and some of them not so free, but all of them are awesome. We’ve got rooftop parties, music festival afterparties, soul and rap legends, indie bands, pizza and tacos galore. Also, booze. Check out our roundup of this season’s seriously massive music lineup.
GOVERNORS BALL AFTER DARK | Various venues around North Brooklyn & Manhattan Governors Ball is back again this year on June 2-4, and the epic music fest is also serving up some awesome night shows too, and most of them happen to be right here in North Brooklyn. Some shows are already sold out, so either jump on some Craigslist tickets or try to snag some for the shows with tix still left!
Here’s the lineup of shows in our ‘hood:
Thursday June 1: CHARLES BRADLEY @ BROOKLYN BOWL (61 Wythe Ave) // 8pm // Sold Out
Friday June 2: RÜFÜS DU SOL (DJ SET) @ SCHIMANSKI (54 N 11th St) //10pm // Sold Out MUNA @ BROOKLYN BOWL (61 Wythe Ave) // 1130pm // $20 tickets ROOSEVELT @ BROOKLYN BAZAAR (150 Greenpoint Ave) // 11:59pm // $16 tickets WELLES @ KNITTING FACTORY (361 Metropolitan Ave) // 1130pm // $12 tickets MARK RONSON X KEVIN PARKER @ OUTPUT (74 Wythe Ave) // 10pm // $15-25 tickets
Saturday June 3: THE AVALANCHES @ BROOKLYN BOWL (61 Wythe Ave) // 1130pm // Sold Out PARQUET COURTS @ VILLAIN (307 Kent Ave) // 11pm // $20 tickets ROYAL BLOOD @ WARSAW (261 Driggs Ave) // 11:59pm // Sold Out YG, CHARLI XCX & ANIK KHAN @ SCHIMANSKI (54 N 11th St) // 10pm // $25-30 tickets THE ORWELLS @ KNITTING FACTORY (361 Metropolitan Ave) // 11:59PM // $15 tickets
Monday June 5: FRANZ FERDINAND @ WARSAW (261 Driggs Ave) // 8pm // Sold Out
On a crisp, first-glimpse-of-summer night, with nigh a sk8rboi in sight, Jon Hopkins and electro company kicked off the annual free concert series at House of Vans (25 Franklin St) in Greenpoint.
Exceedingly referential with sponsored “street” artandalight “installation” that referenced a once-flickering warehouse marquee, Vans’ branded millennial pandering was never a distraction from evening’s chilled-out vibes, free orange-vanilla seltzer, nor the gaunt and smiley Hopkins’ superb set. Hopkins music, often slow to build, develops meditatively through repetition. You could even hear someone scream, “where’s the drop?”
Outdoor music, while often exchanging sound quality for experiential novelty, has the unique quality of gathering diverse groups of people together, especially when free.
In a world full of bullshit and bullshitters, Danny Brown is as clean as a whistle. In fact, his authenticity is perhaps as pure as a baby bull’s shit. No matter how it’s put, Danny Brown is a true artist, and there’s a new documentary out tonight that will school you on the matter.
Directed by Andrew Cohn (of Medora fame), Danny Brown: Live at the Majestic captures raw moments with the indie rapper as he prepares for a homecoming show at The Majestic Theatre in Detroit. With 21 cameras, Cohn’s crew captured full coverage of the live show, but the documentary also includes intimate footage with Danny in his own hometown.
Andrew Cohn, whose career initially started with screenwriting in Los Angeles, but who is now based in Brooklyn, enjoyed much success with his first documentary, Medora. The heart-wrenching doc follows a seemingly hopeless small-town high school basketball team through their losing streak in Medora, Indiana. The film premiered at SXSW, and it won an Emmy last year.
Danny Brown: Live at the Majestic is one of Cohn’s newest documentaries (he also just finished Night School). This time, as with Medora, he seems to have been born to make this film. As a Michiganian, Cohn was a fan of Danny Brown before the rapper’s fame hit global proportions — before XXX or Old hit the charts — back when Brown was just a drug dealer in Detroit trying to make it as a rapper. Cohn says he remembers when it was a big deal whenever Danny was featured on the cover of “Metro Times” in Detroit. As a fellow Midwestern artist, he’s enjoyed seeing Brown’s fame rise as his own filmmaking success has evolved.
I had the chance to catch up with Cohn about the documentary — how it came about and what it was like working with the creative force that is Danny Brown.
Greenpointers: What made you decide to make a doc on Danny Brown?
Andrew Cohn: It kinda came about as a side project because I was in the middle of making Night School, which I was in Indianapolis for. I had been in touch with his manager about doing a doc… and had lots of ideas that just fizzled and nothing came of [them]. But when I was making Night School… his manager approached me and said, ‘Danny is doing this show…it’s his first time doing a solo show in Detroit in a long time and we wanna film it, and want to talk to you to see if there’s something bigger you want to build around it.’ And immediately I was like ‘That sounds great, I’m close, I already have a crew and a ton of resources in Detroit and Michigan since that’s where I’m from’…So, first thing we wanted to do was shoot the fuck out of the live show…we wanted to just totally blow it out… And then I went back [to Indianapolis] to finish [Night School]. And, obviously, I spent about three days interviewing Danny while I was in Detroit… then had the idea to follow some fans who were at the show, and spent a few days with them, and slowly, slowly it started coming together… It was about a sixteen-month process from the first day of shooting.
GP: How did you find the fans who were featured in the film?
AC: Danny put out a Facebook post asking for fans who were going to be at the show who might be willing to be filmed…and we found some really great characters, you know, his fan base is super, super interesting… I think for Danny, he has a lot of fans who aren’t hip hop fans, a lot of them are punk rock fans. You’ll see a lot of mosh pits at his show. But I think that’s what’s great about Danny — he brings that vulnerability to his song writing. It’s not all braggadocious. He has that street credit, but he also has a punk rock mentality. Like, he refused to sign to a major label, he has this independent streak in him where he just does things his way, and I think the audience really reacts to that. He just has a really wide audience…like a lot of kids that come to his shows, I don’t think they’re gonna see a Drake show. He speaks to people that feel maybe disenfranchised, or people that are attracted to that kind of honesty.
GP: I was really impressed with how open and honest he was [in the film]. Was it easy to get him to open up like that in the conversations you had with him?
AC: Surprisingly so. I’ve done some profiles on some bigger artists and there’s always this kind of wall. They give you the PR spin of, like, an athlete after a basketball game, ‘Both teams played hard’ — this kind of sound byte stuff. But as soon as I met him — and I’m a huge Danny Brown fan — I totally understood why people love him so much. He’s so open and so honest and so vulnerable and raw. There’s none of that fake bullshit.
The first day I met him, we were filming late at night at the EL-P show, and they were all going to go back to Danny’s house and hang out after, and I [asked to come and film] and he was like, ‘Yeah of course!’ But I didn’t have car. I was trying to figure out how I would get back to the hotel…and he was like, ‘Oh, you can spend the night at my house! It’s fine.’ It was the first day I met this guy and he was inviting me to crash on his couch. At the time it didn’t seem like a big deal, but now, looking back, I’m like, ‘Damn, that’s crazy. That’s crazy.’
GP: So, why did you approach his manager initially? Was it just because you’re a big fan?
AC: Yeah, I mean I’ve been a fan of his for a long time. I remember Danny Brown before he was big at all…he was just another rapper from Detroit. He just opened for people – he was just one of the dozens of rappers in Detroit doing their thing…To see him transcend that and be really big was really really fun to watch. And so when I approached Dart, his manager, I showed him Medora, and he and his wife really loved the film, and knew that they would be in good hands. And I just started this relationship that ended up taking a long time to come to fruition, but I think in the end there was a trust there — like we’re from the same place, we have the same point of view, you know. So that’s what was cool about doing the doc…I didn’t have to sit down and Google ‘Danny Brown’ and do research on who he is…I already knew his full story, so it made it easy when we were interviewing or talking, because I understood where he was coming from.
GP: What made you decide to have the world premiere through Rooftop Films?
AC:Just because I know Dan [Nuxoll, Program Director], and I know that they put on amazing screenings. The screening they did with Medora was unbelievable…so I knew I would be in good hands. They said that they had requests for 2,100 tickets in like three hours, or something like that, so I knew they would be able to handle the volume and accommodate Danny’s fans. I think that was really important to us — to have something where Danny’s fans have access…[something that] was going to be free, was going to be open to the public…all ages, 18 and over. So that was important to us. And you know, New York is a big market for him, so it made sense.
GP: Most of your work seems to revolve around people in low-income situations. What draws you to that landscape?
AC: I think that I love stories of underdogs. I’m not exactly sure why. I enjoy giving a voice to people who might not be given that platform. I think that there’s a lot of people out there in that part of the country who are really overcoming a lot of odds that don’t really get credit for it. So to be able to shine a light on people who wouldn’t have their stories told is really important to me. I think everyone is attracted to different types of material, and I like just making movies about real people who are trying to live in the real world, you know, and I think there are really courageous stories in that space. And I’m from the Midwest and obviously I love the Midwest — there’s just the frankness of the people — they’re very forthcoming and honest — and so I like telling stories about that part of the country — that part of the world.
GP: What are you working on now?
AC: I just finished my other film, so [I’m] figuring out the rollout with that. I’m doing something for MTV, Vice, ESPN, doing some television stuff, then basically taking a break. This will be my fourth feature film in three years. I’ve been going pretty hard for the past two years, so I’m going to take a break and see what’s next.
GP: Do you have an idea of what you would want to work on next?
AC:Yeah, I want to take a stab at doing a narrative film. Get back to screenwriting and hopefully direct something narrative. I have a couple ideas for docs. There are plenty of opportunities coming my way and it’s hard to say no, but I need to do laundry, and just get my life back on track.
GP: Get back to the basics.
AC: Yeah, exactly.
GP: I mean, that’s a good problem to have as a filmmaker.
AC: Yeah, I’m super grateful. Especially for the opportunity to make a film about your favorite rapper…it seems so surreal. I’m just grateful to have the relationship with him. He’s just a great guy, you know.
Yeah! I know.
Attendance for tonight’s show is on a first come, first serve basis, and doors open at 7. Screening starts at 8:30, followed by a Q&A with Danny Brown and Andrew Cohn. Danny performs at 10PM. House of Vans is located at 25 Franklin Street in Greenpoint.
Greenpointers Spring Market Sunday, April 17, 1pm, FREE, The historic Greenpoint Loft (67 West St, 5th Fl), which has been beautifully restored to its pre-war glory, will come alive with old-timey themes and music. Over 60 vendors will be offering locally crafted items and food to purchase and there will be fun, free activities. More info and RSVP
[sponsored] Dancing on My Own ’80s–’00s Prom
Saturday, April 16, 10pm, $5
Littlefield (622 Degraw St)
This prom season, bury high school in the past and come party with the skint. It’s prom without the pressure, not to mention all those added expenses like dinner, hairdressers, limos, and subsequent limo cleaning (after one too many glasses of punch). There will be music by DJ Steve Reynolds, balloons up the wazoo, $5–8 drink specials, and a virtual date photo booth where you can choose your own arm candy. More info
WEDNESDAY 4/13 * Volunteer Season Opener @ North Brooklyn Farms (320 Kent Ave) 4pm, FREE, Help get North Brooklyn Farms back in action with their first volunteer day of the season, RSVP # Second Servings: Eat Your Grief @ Greenpoint address upon purchase, 7pm, $35, Girl Party presents a five-course tasting event with foods for emotional healing, Buy tix
THURSDAY 4/14 * Performancy Forum @ Panoply Performance Lab (104 Meserole St) 8pm, FREE, An evening of performance art projects by five artists dealing with intersections between their own bodies and bodies politic, RSVP * April Flux Thursday @ Flux Factory (39-31 29th St) 8pm, FREE, Flux’s monthly potluck dinner and art salon, RSVP ♫ Disc’occult @ Macri Park (462 Union Ave) 10pm, FREE, A night of disco music, ritualistic dancing, hedonism, and gory cult classics, RSVP