Make Music New York is NYC’s largest one-day, free celebration of music. Let’s make Greenpoint the place to be during Make Music New York!
Now entering its 11th year, Make Music New York, is a unique festival of 1,000+ free concerts in public spaces throughout the five boroughs of New York City, all on June 21st, the first day of summer.
Completely different from a typical music festival, MMNY is open to anyone who wants to take part. MMNY, as a not-for-profit 501(c)3 organization, works with the city community boards and NYPD to obtain amplified sound permits and block party permits for authorized applicants. Register for a performance on the sidewalk at your address, home or business, and MMNY takes care of the rest! From 10 in the morning to 10 at night, musicians of all ages, creeds, and musical persuasions – from hip hop to opera, Latin jazz to punk rock – perform on streets, sidewalks, stoops, plazas, cemeteries, parks and gardens.
You can register public parks like McGorlick Park and McCarren Park. And if you apply soon, MMNY can help you register to host a block party!
In year’s past, dozens of MMNY concerts were put on in North Brooklyn during the festival at venues like Jimmy’s, Milk and Roses, Cato’s Army & Navy, and the Greenpoint YMCA on Meserole Avenue.
MMNY takes place simultaneously with similar festivities in more than 750 cities around the world – a global celebration of music making. Let’s show the rest of the world what North Brooklyn can offer!
If you’re not familiar, the Brooklyn Art Library is home to The Sketchbook Project, an internationally crowd-sourced collection of 35,000 original artist sketchbooks created around the globe.
With over one million sketchbook spreads housed within their library walls at 28 Frost Street, BAL is a platform for visitors to connect with artists they may never have come across otherwise. And so much more!
Opening Saturday evening, 106 Green present EGO DEATH, a new solo installation by Brooklyn-based artist Lydia McCarthy.
“EGO DEATH is a selection of photographs from Non-Game Ecstasy, a series concerned with self-love, self-care, and a cult of feminine energy. According to The Psychedelic Experience, Game Reality is waking or egocentric reality, wherein one plays the game of life – it is the barrier to higher levels of consciousness. Building up exposures on color film, new objects, colors and patterns become talisman and transport the seeker to alternate realities. Each part of Non-Game Ecstasy, investigates a different aspect of journeying into new realms of consciousness and what the seeker may encounter along the way.” – Lydia McCarthy
McCarthy’s work has exhibited widely, including Essex Flowers and the Scandinavia House in New York and NAU Gallery in Stockholm. In 2012 she was included in the Humble Arts Foundation’s 31 Women in Art Photography. Lydia’s work has been reviewed and published in The New Yorker, The Wall Street Journal, Dossier and the Huffington Post. She received a yearlong American-Scandinavian Foundation Fellowship and has held residencies at the Banff Centre and the Vermont Studio Center.
Lydia McCarthy’s EGO DEATH
Opening Reception Saturday, March 18 from 6-8pm.
The exhibition will run through Sunday, April 16th.
Gallery hours are Sundays 12-5pm. 106 Green 104 Green St. @gallery106green
2nd Tuesdays at Mothership NYC are informal, salon-style gatherings for artists, friends, and colleagues welcoming improvised presentations over wine and popcorn. All are welcome to sing, play, perform, or showcase!
Founded in 2005 by visual artist Sol Kjøk, Mothership NYC is a live-work space and presentation arena for international artists across multiple disciplines.
This month’s 2nd Tuesday (which will be held on Tuesday the 21st due to this week’s snowstorm) keynote presenter will be Mothership NYC’s current artist-in-residence, South African visual artist Diane Victor who will give a presentation about her ongoing project: ephemeral portraits drawn with the soot from a candle.
2nd Tuesdays at Mothership NYC
Tuesday, March 21st (rescheduled after the storm)
7:30pm | Facebook Event
This new series uses handmade Kozo paper with embedded chips of Maine mica, created by neighboring artist Richard Lee. Arlene has molded, stitched, painted and stained the paper to create these spectacular reliefs. The work is personal and haunting. The figures, seemingly delicate and innocent hold dark secrets that is often revealed through hand stitched text.
And this exhibition marks the first in FigurewWorks’ new home, same address, just one flight down. “This work is a perfect compliment to Figureworks new exhibition space – each historically reflecting on the past while recreating a striking new future.”
As part of JART7th, an ongoing annual exhibition curated and produced by Hiro Shiraishi of Pepper Project, a Tokyo-based art group, aiming to introduce a new wave of young emerging Japanese artists from Tokyo in collaboration with the New York Japanese artists, as well as artists from Stockholm and Berlin, bridging these metropolises and their respective art worlds and linking these geographically disparate artists together in one show.
This Saturday’s screening features three experimental videos by Mami Kosemura, Jun Ando, Om Meguro Akiyoshi. Artist discussion to follow the screenings.
w/ Musical Performance by Ev
Sponsored by Braven Brewing Company
After party at Artichoke Basille, 8pm ’till.
NYSF is excited to present Alex Chowaniec: Gloria Patria (Burnt Eclipse), a solo pop-up installation, with musical performance by Ev, during Armory Arts Week, in Bushwick.
Chowaniec’s Gloria Patria (Burnt Eclipse) installation is realized through progressive light, as darkness falls at sunset. The image comes to you slowly; in darkness there is discovery.
The democratization of access to art is critical. Chowaniec’s goal is to expand how we achieve this, working in hybrid media (traditional and new) with the conscious goal of creating multiple access points for viewer engagement. Alternative spaces provide a vehicle to change the way we make art, engage with art and reach out to community through flexible sites for exhibition, education and organizing.
Richard P. Rogers (1944–2001) maintained two full-time careers: he was a celebrated director and producer of nonfiction films as well as an inspired teacher of still photography and filmmaking at Harvard. Rogers’s appetite for knowledge was omnivorous, taking him from the jungles of Nicaragua to the fountains of Rome, from the bedrooms of colonial New England homes to the streets of working-class Albany. Throughout these travels, his unsparing artist’s eye turned as often back onto himself—touching on a range of topics from art and architecture to history and literature, his films spoke in many voices, politically engaged but also personal and experimental. Though perhaps best known for the long form independent documentaries Living at Risk and Pictures from a Revolution (both collaborations with Susan Meiselas and Alfred Guzzetti), at Harvard he was also a mentor to new generations of committed filmmakers, and under his directorship the Film Study Center became an important catalyst for nonfiction production.
Presented by Jeremy Rossen, the Assistant Curator at the Harvard Film Archive, this event features four films by Rogers, followed by a conversation with Jeremy Rossen, and Roggers’ collaborators Susan Meiselas, and Alexander Olch.
Greenpoint Hill presents their second exhibition, later, works by Isaac Arvold, which opens tonight! We interviewed Greenpoint Hill’s Kim Brown when she first opened the gallery and retail shop on Freeman Street, and for this week’s Thursday Spotlight we’re showcasing Isaac Arvold, whose exhibited works are the harvest of a month-long artist’s retreat on a rather secluded beach in Costa Rica.
“I wanted to get away, be alone, and just make art,” says Isaac Arvold. “I think I was getting distracted in New York at the time and I wasn’t owning my craft. In my luggage I packed 2 pairs of shorts, 2 tops, sandals, a significant amount of ink accompanied by paper. Lots of paper. My favorite paper. 1,400 sheets of paper. I made my little beach office cabana out of drift wood and various fallen palm fronds. I would strip my bed sheets from my bed bring them to the beach with me and tie the corners to upright sticks which would give me sweet beautiful shade during the day.”
Sometimes working his Brooklyn studio, Arvold will feel the pressure of not having enough time to work on something or not be able to resume right away the next day. That was not an issue on the beach in Costa Rica.
Starhawk Design Studio sells a variety of tie dye clothing, custom-designs, jewelry, artwork, and more. After a long strange trip, including 17 years touring with The Grateful Dead, Thom and his brother Starhawk have returned home, to Brooklyn, and discovered a kind and generous community here in Greenpoint.
Ivy Weinglass met me at Charlotte Patisserie for coffee and quiche on Tuesday morning and I had no trouble recognizing her from her emailed description, “I’m wearing a grey coat and have long brown hair!” But sitting down to meet her, it was the 11:11 timestamp stick-n-poke tattoo on her ankle that caught my eye.
“It was following me everywhere and it was a really good year,” Ivy says. “So that’s my number.”
“Greenpoint is just so special,” she says. “It’s a community, it’s a small town within a big city. There are families who have lived here for generations, and it shows. There are new restaurants and coffee shops for sure, but there are also stores and store fronts and businesses who have been here for years and years and continue to thrive! Being welcomed into that community has been so awesome.”
Tiger Tooth is a bit of a unique project. A collaboration between musicians and a visual artist, former nightlife workers and impresarios, Johnny Siera, Will Broussard, and Sofia Szamosi, Tiger Tooth recently released their first album and series of videos, including their latest video for the song “Polka Dot”, which we’re excited to be premiering here today at Greenpointers.
Recently I visited these guys at Johnny and Sofia’s colorful one bedroom apartment and the first question I wanted to ask them was if they considered themselves to be a band?
“A band of artists,” Will said, and we all laughed.
“We make electronic music,” Johnny added. “But first and foremost we’re friends who came together who have their own little specific talents so in that way it’s more of an art project than a band? I mean it’s not that formulaic.”