Tomorrow night (Tues, 9/19) at Film Noir Cinema (122 Meserole Ave), the Miskatonic Institute of Horror Studies presents NYC-based author, performer and miscreant Grady Hendrix, who will chat about his latest book, Paperbacks From Hell: The Twisted History of ’70s and ’80s Horror Fiction, followed by a panel discussion with the talented artists behind some of the most disturbing horror novel covers of all time. After trolling the shelves of secondhand shops and used bookstores, Grady was inspired to pen a detailed history of horror fiction’s big boom in the late ’70s and early-to-mid ’80s. Three big-hit books kicked off the popular category: Rosemary’s Baby, The Exorcist and The Other. Prior to that, “Horror was not a genre,” says Grady.
After their colossal success, publishers saw a ripe new market, and a moneymaking opportunity—and the crazy cover graphics were essentially advertisements for the books themselves. Some of the smaller horror publishers couldn’t afford B-list or even C-list writers, so they’d put all of their budgets into hiring the best cover artists. “They knew the one chance they had to sell this book was the cover art,” Grady says. “You want to stand out… and you’ve got one chance.” And the more over-the-top the cover art was, the better. Grady’s seen ’em all: from a skeleton delivering mail to Nazi leprechauns to killer crabs, horror art was definitely having its heyday. Continue reading →
Greenpoint Hill’s newest show features works from all-female artists ranging from hand-painted digital prints to ceramics to paintings. “The works share an emphasis on materiality. Just as Elizabeth Murray’s painting, an oil painting on a rectangle, was pushed to 3-d objecthood by rotating the canvas about 45 degrees, the work in this exhibition does not simply exist as 2-dimensional image. In Maria Caladra’s work, this shift occurs more subtly, through the mark-making. The work in Parting and Together asks for a more intimate viewing experience.”Continue reading →
Giordanne Salley spends a few weeks each summer out of the city. She retreats to the rocky coastlines and glacier-carved forests of our Northeastern-most state. There, she quickly assumes the circadian rhythms of nature, in part, encouraged by a lack of cell phone reception. Swimming, kayaking, and hiking, Salley studies the sun and changing colors of the day. Upon returning to New York she begins painting these summer experiences. Nude figures running freely among raw pebbly beaches, silky waters, and deciduous brush; Giordanne has managed to transport the spirit of the spruce islands to her Greenpoint studio.
Greenpointers: When were you first exposed to art as a child?
Giordanne Salley:I am originally from Southwest Ohio. My parents took us to the Dayton Art Institute on the weekends which had an interesting collection of art for a city of its size. We would picnic in the gardens and spend the rest of the afternoon exploring the various exhibits. I remember once looking at a Josef Albers’ red square painting and wondering why it was in a museum. I find it ironic now because I’ve taken color theory classes and really appreciate his work. Being homeschooled until the sixth grade, my parents always encouraged me to take on any form of self-expression I wanted. I was constantly being supplied with paper and drawing tools. I could organize my time differently than kids in school, and was able to spend a lot of time exploring nature. This remains very important to me and my paintings. Continue reading →
John Reardon opened Greenpoint Tattoo Company on Meserole Street in 2011. With almost two decades of experience working in the US and around the world, Reardon has a lot of stories to go along with it. This is why on a sweltering Saturday morning before they open for the day, I sit down in the very New York shop—pressed tin ceilings, wooden floors, tattoo art-lined walls and a bookshelf full of design inspiration from Gray’s Anatomy to Japanese symbolism—to chat with Reardon, fellow Greenpoint Tattoo Co. artist Matt Bivetto and GPT client, writer and director Dan Bowhers, about their new observational workplace comedy web series, Ink Inc., which is premiering in mid-November.
Greenpointers: When did Greenpoint Tattoo Company open and where were you before GPT?
John Reardon: I opened it in 2011. I had had a private studio on North 7th Street and before that I worked at Saved[426 Union Ave]. I’d also opened a shop with my ex-wife in Copenhagen and I’d worked at other places around New York City.
GP: How did you get into tattooing originally?
JR: In 1996, it was still illegal in Massachusetts. I was going to Pratt and I thought it would be a good idea if I tattooed so that I didn’t have to go to Providence or New Hampshire.Continue reading →
This weekend kicks off our local autumn art season. In addition to the Brooklyn Clay Tour providing an array of ceramics-related events (check their calendar for a full listing), art opening receptions of all mediums abound—stay in the ‘hood for sculpture, embroidery, immersive installations, surreal sculptures, and paintings that suspend disbelief.
As part of the Brooklyn Clay Tour, Calico presents a pop-up exhibit of commemorative plates, in conjunction with art collective FPOAFM Studios. “PLATE PARTY will feature over 20 artists whom have chosen their favorite artist or inspirational figure to commemorate on a porcelain plate. Images have been drawn, collaged, painted, illustrated, or etched, then permanently transferred onto a plate through a ceramic decal process or laser etching process.”Continue reading →
North Brooklyn Farms (320 Kent Ave) is having their fifth and final Every Body party of the season! Join them on the farm for a day-into-night party with food, drink, music & art.
2-10pm, $10 tickets hereContinue reading →
Experimental film and art venue Light Industryis located on Freeman Street, on the bottom floor in an unassuming apartment building on this tree-lined Greenpoint street. The movie theatre is led by a hearty team of two: co-founders Thomas Beard and Ed Halter curate the programming, cultivate the audiences, and maintain the performance space.
The space itself at Light Industry is white-walled and welcoming. Its simple appearance falls in line with the company’s ethos. “We have a very approachable space,” says Halter. “It feels modest, it feels like it is human scale — both Thomas and I feel inspired by the DIY scene.” Beard says that the screening room is a cinema reduced to its most essential values, with a white projection surface, a grid of folding chairs, and a couple of speakers. The screening room can accommodate up to 75 people. The theatre’s small team paired with its intimate space bring audiences closer to the programming. A patron once said that the experience of visiting Light Industry is like going to a film nerd’s basement. And that’s just what Beard and Halter were going for.Continue reading →
Modern ceramics are having a moment. North Brooklyn boutiques are fully stocked with cheeky (Group Partner‘s kitschy butt planters at Homecoming), spiritual (ivyivyivy‘s incense burners at M Carter) and primitive-chic (Matthew Ward‘s vessels at Home of the Brave) hand-crafted local ceramics. But there’s something truly timeless about the craft. Earth, fire, air and water: these elements are our world’s most ancient foundations, and ceramics is the only art form that makes use of all them. The Brooklyn Clay Tour is three days of exhibitions and events shining a spotlight on Brooklyn’s diverse and growing ceramics community. More than 200 clay artists are participating across Brooklyn in exhibits, demonstrations, artist talks, workshops, art sales, and culinary events. They’re also hosting a Finders Keepers ceramic treasure huntof 100 ceramic objects hidden across Brooklyn for the finder to keep.
Some of the North Brooklyn events happening over the weekend include:
Kate McQuillen greets me from the driveway of her charming and noteworthy Greenpoint house, directing me into the garage where her fluorescent printmaking studio is set up. Her companion Kassie, a sterling herding dog, is attentively surveying the area and happy to have another to look after. The inherent New York City ankle weights have already slipped away, leaving us to speak candidly in Kate’s kaleidoscopic space. While we talk, the garage door remains open and Kate periodically greets her neighbors passing by. I feel as if I have crossed a portal into an alternate dimension, or at least am no longer in the city.
Greenpointers: When were you first exposed to art as a child?
Kate McQuillen: My dad studied painting in graduate school, and during my childhood worked as a graphic designer in Boston. We always had an art studio in the house, which allowed me the opportunity to experiment with literal cut and paste tools like transfer paper. I’d imagine this is what initially pushed me into printmaking. I think of printmaking processes as the perfect place between design tools and fine art tools. I always had a lot of interest in drawing, but was never super into oil paint. I think my new work is taking on a form reminiscent of paintings, but I can still use the printmaking tools I’ve grown to know and love.Continue reading →