“An Unidentified Flying Boombox has landed in Bushwick.”
This announcement, along with a pre-show layer of purple haze, are harbingers for Brobot’s cosmic arrival. Cast out of the planet Nubian, he’s here to share the human — er, robot — experience in order to save planet earth. (The reason our blue marbleis in jeopardy is never made clear, but look no further than daily headlines to grasp Brobot’s desperation to save us.)
Brobot arrives, lays down some beats, and harnesses audience enthusiasm a la Tinker Bell resuscitation to refuel his spaceship and return home. This is the flimsy and stilted premise of Darian Dauchan’s new show, now playing at experimental powerhouse The Bushwick Starr (207 Starr Street) through March 17. Dauchan writes and stars in his show, The Brobot Johnson Experience, a one-robot, existential spaceship-palooza. Though director Andrew Scoville keeps the pacing breezy and the staging kinetic, the show remains rather plotless; after a few numbers, a craving for conflict (or other characters) settles in. Without any dramaturgical verve, all fuel (literally absent from the ship) must come from our trusted time and space traveler.
Music, party and performance art collective Rinsed debuted their latest theatre project Under The Influencer last week in Bushwick, after more than a year of ideation, planning, writing and recording an original score, building out a unique set, script writing, revisions and rehearsals. The show is immersive, but not in the same way as Sleep No More or Then She Fell—it’s more lo-fi than that, and the audience doesn’t interact one-on-one with the performers. But, what Rinsed has produced this time around is an extremely engaging ravey rockout, and straight up funny. Continue reading →
The renowned Bushwick venue House of Yes (2 Wyckoff Ave) is hosting a Clothing Swap this Thursday at 9pm. They’ll have items from the House of Yes costume collection for trade, so you know that stuff is gonna be fab-u-lous! Plus, afterward there’s a free dance party so you can let your freak flag fly and don the glamorous duds you just picked up.
The Exponential Festival is back again this January 2018, bringing a diverse collection of experimental and indie theatre, performance, dance and art to North Brooklyn and beyond. The last two weeks of the fest are happening right now, with these unique performances happening right here in our ‘hood this weekend and next week at varying times. We’ve listed all the remaining local performances below, and you can check out the rest of the fest’s calendar here.
VITAL JOINT | 109 Meserole Street Dandy Be Good, Jan 17-20, 24-27 @ 8pm, RSVP to [email protected] — Dandy Be Good is a site specific interactive performance and a sexy, queer, underground cabaret! Dynamic host GJ is teaming up with a marvelous array of performers to bring you a fantastic bouquet of storytelling.Continue reading →
I’m not just discussing his play, the zippy and zany Cute Activist. Cramer wrote it, but — in a lovely surprise — is also in it. And like his play, the performance is delightful.
Cramer, alongside Sebastian Pray, puppeteers his way through his new comedy, now extended through February 3 at The Bushwick Starr (207 Starr Street). Cute Activist gingerly but probingly tackles capitalist greed, interracial dating, and — yes — activism. (Sound designer John Gasper comically conjures *thunder* each time that forbidden word is uttered.) Or is it slactivism? It’s hard to say. Cramer doesn’t try and pin down the elusive term, but he does winningly show how his heroine Jen — short for Jen-der, or Jen-trification — illuminates it for herself. Continue reading →
“R&D is basically a portrait of a team of Young Professionals who leave everything behind to devote themselves to this crazy startup called BrainSoul,” said Sam Myers, one of Brouhaha’s five company members and R&D’s playwright.
R&D(as in “research and development”) overflows with exhausting and all-too-familiar corporate jargon that is ripe for comedic satire. Office lingo like “impressive stapling work” and “on the same page” are often tossed around. Somehow, outside of the workplace and inside the theater, these phrases feel like poisonous earworms, which may be the point.
“Over the course of the play, the YoPros’ enthusiasm for the company becomes more and more cultish,” Myers said. “It’s an office comedy that tries to push the toxic insularity of work life to a really extreme place.”
The show debuted last year at Dixon Place in Manhattan and now comes to the basement of Bushwick/Ridgewood’s The Keep (205 Cypress Avenue), a bar with as much spunk and funk as Brouhaha’s latest project.
NYC-based ambient R&B singer Autre Ne Veut brought his soul-drenched brand of ballads to Bushwick’s newest venue Elsewhere (599 Johnson Ave) last Thursday evening, to a crowd that was hyped to hear some slow and gut-wrenchingly emotional jams. Autre Ne Veut (which translates as “I want no other”), whose real name is Arthur Ashin, was performing with a live drummer and keyboardist/backup vocalist, as he commanded the mic and occasionally riffed on keys. Continue reading →
As we mentioned last month, the regular CB1 meetings are a great opportunity to support our local community (or at least know what the hell’s going on around here) from the comfort of your own couch—so make some popcorn, throw back a few beers and throw on the livestream. Between committed neighborhood busy-bodies, awkward and often inane comments from the peanut gallery, and Dealice Fuller’s formidable facial expressions, the CB1 meetings are thoroughly entertaining. You can watch last night’s meeting (11/14) in full, here on YouTube. The agenda can be viewed as a PDF here. The next CB1 meeting will be held on December 5th at the Swingin’ 60s Senior Center (211 Ainslie Street) at 6pm, and will also be livestreamed via Thirteen.
Here are the highlights:
Neighbors are concerned that the crowds from Painting Lounge (309 Roebling Street) could be a boon for “drug peddling and mayhem,” and that perhaps applying for a liquor license is a clever way for the humble-seeming business to disguise its true motive of actually operating as a bar. Others brought up that there are already two liquor stores nearby, and, citing prohibition, questioned whether the community is being too harsh: “Is this 2017 or is this 1917?” And:“Am I in some lala land where this quiet little place where women come and paint is the thing that’s gonna wreck a whole community?” A motion was passed to recommend denial on the lounge’s application for a beer and wine license.
The question was brought up and not resolved… Should CB1 be recommending name changes to businesses with potentially offensive names?Xixa (241 S 4th St) is Yiddish for a non-Jewish woman, Traif (229 S 4th St) refers to non-Kosher food, and now there’s Greenpoint newcomer Ramen Mafia (opening at 208 Franklin Street).
The richest musical score this season might not be found on Broadway. To add to its allure, it’s created by a “migraine-suffering musician who talks to dead people.”
It’s a bold self-proclamation, but Obie Award winner Heather Christian’s Animal Wisdom is an equally bold work — and one that’s near impossible to pin down. To call it a play lumps it in with traditional narratives, and yet to label it a folksy-Requiem-mass-drama barely trumpets its dynamism, élan, and pure resplendence.
The monthly Community Board 1 meetings are highly entertaining if you have even a passing interest in local goings-on, and as we’ve previously reported, if you don’t want to attend in person you can watch them from the comfort of your own home livestreamed via public channel Thirteen on YouTube. At the meetings, you get to find out who’s applying for liquor licenses, which block association has beef with which developer, and watch bright-eyed millenials with new business ideas get torn a new one (pass the popcorn). One of the most enjoyable parts of watching the livestream of the CB1 meeting is the closeups on chairperson Dealice Fuller’s face—this woman does not play. She’s badass and amazing. You can watch last night’s meeting in full here.
Here are the highlights from last night’s meeting (which ran over by about an hour): Continue reading →