Williamsburg-based singer/songwriter, and dark-humored Brad Cantor released his first solo album a couple weeks ago, under the moniker Glass Valley. The 60s and 70s-inpired dreampop album—which takes a few whispery pages from Velvet Underground and Elliott Smith—brings you on one man’s journey as he closes the door on his 30s and enters his 40s. Brad, a self-proclaimed “aging Brooklyn hipster,” wrote 22 songs after a trip to Joshua Tree, where he had time to reflect on the past decade of his life. When he returned to Brooklyn, the songs quickly poured out in an emotional stream of consciousness, and nine of them made it onto his debut album An Intimate Man. There’s a section in the track Young Hip and Old where he croons, “Everything’s gotten boring and we lost our way. Every party feels so forced, we ran out of things to say. The nights got less glamorous as our friends starting dropping off,” reflecting his stunted coming of age in early 2000s Brooklyn.
I chatted with Brad about how, in the music world it’s a little unusual for anyone to release their first album at age 40. “We don’t value older artists,” Brad says. “We don’t value their creativity. We don’t value their experience.” There’s a general consensus that when you’re younger you “embrace the craziness and rash decision making,” and as you age, you slowly shut down the most creative parts of your brain. “Fear makes people say things like that,” Brad says. So while on this album he may be resigning himself to getting older (on Golden Age: “It’s romantic to think that we’ll conquer the world, But most roads lead to rust belt cities, and gray rivers flow to dead ports, while strip malls decay in neglected suburbs. There was never a golden age, but life has a way of making it seem that way”), the brilliantly-executed record as a whole defies the idea that creativity fades after people reach a certain age. Continue reading →
On May 17th & 2st, Frankie Cosmos joined Real Estate for a shoegazey and magical set at Brooklyn Steel. With hints of vaporwave fun and twee, playful melodies, it was a sweet show to dance and nod yer head to. And, both shows sold out! I could see why – the set list was on fire with plush tones and great vibes.
Last Tuesday night, a bit of the tropics came to NYC as Bahamas—the recording name of Canadian musician Afie Jurvanen—played to a sold out crowd at Good Room (98 Meserole Ave). The Greenpoint show preceded a show at Forest Hills Stadium the next night opening for Jack Johnson, whose Brushfire Records released Jurvanen’s second and third albums, Barchords (2012) and Bahamas is Afie (2014). Continue reading →
Franz Ferdinand played to a sold-out house last night at Warsaw (261 Driggs Ave) on their first tour since 2014 supporting Right Thoughts, Right Words, Right Action. The band’s new lineup is comprised of Alex Kapranos (lead vocals and guitar), Bob Hardy (bass guitar), Paul Thomson (drums, percussion and backing vocals) and Dino Bardot (guitar) and Julian Corrie (synth, guitar) replaced founding member Nick McCarthy, who left the band last summer.
After playing Governor’s Ball over the weekend, the band extended their stay in New York City playing the show as part of Governor’s Ball After Dark.The crowd was as electrified as the band, especially when they played dance-beat heavy songs such as “No You Girls”, “The Dark of the Matinee” and “Take Me Out”, dancing, jumping and waving their arms to the music. Franz Ferdinand returned to the stage for an encore performance and ended their show with energy surging, “This Fire” and hand-in-hand the band took a bow.Continue reading →
If you’re a music fan in North Brooklyn, you’ve probably heard of The HUM, a kickass all-female music fest. In past years, it was held at the now shuttered neighborhood fave Manhattan Inn, and this year Good Room (98 Meserole Ave) is playing host. Last week, Erika Spring from Au Revoir Simone took the stage with several other megatalented megababes. Tonight’s show (which we will be covering) features Sadie Dupuis of Speedy Ortiz plus a solid lineup of additional female powerhouses. Tickets ($15) will be available at the box office tonight, and you can get $12 tickets online for the upcoming shows. Rock out with your frock out! Continue reading →
Have you ever gone to see a band, super pumped, and witnessed a crowd of people standing around sipping craft beer and stubbornly refusing to do little more than nod their heads in time to the music? Yeah, we’ve all been there—it’s awkward for everyone. Refreshingly, when Israeli trio Balkan Beat Box took the stage at Brooklyn Steel (319 Frost St) in late April, this was definitely not one of those moments. In fact, inside Bowery Presents’ newest place to party—specifically designed for large crowds and good visibility of the stage from virtually any vantage point—I experienced a moment of live music euphoria: a few seconds of music video-worthy bliss where literally everyone in the massive venue was off their feet, jumping in the air.
Long story short? When vocalist Tomer Yosef tells you to jump, you jump… splashing craft beer and all. Continue reading →
Tonstartssbandht (tahn-starts-bandit) isn’t just a psych band with a challenging name—their music creates sonic collages that take you on a journey through a misty rainbow forest odyssey. This past Sunday night, they played the evocative Park Church Co-Op (129 Russell St.), and if you haven’t been there for a show it’s definitely worth checking out. The acoustics and the atmosphere is truly breathtaking. On Sunday, Tonstartssbandht was supported by Dougie Poole and Turnip King.