Last Tuesday night, a bit of the tropics came to NYC as Bahamas—the recording name of Canadian musician Afie Jurvanen—played to a sold out crowd at Good Room (98 Meserole Ave). The Greenpoint show preceded a show at Forest Hills Stadium the next night opening for Jack Johnson, whose Brushfire Records released Jurvanen’s second and third albums, Barchords (2012) and Bahamas is Afie (2014). Continue reading
Franz Ferdinand played to a sold-out house last night at Warsaw (261 Driggs Ave) on their first tour since 2014 supporting Right Thoughts, Right Words, Right Action. The band’s new lineup is comprised of Alex Kapranos (lead vocals and guitar), Bob Hardy (bass guitar), Paul Thomson (drums, percussion and backing vocals) and Dino Bardot (guitar) and Julian Corrie (synth, guitar) replaced founding member Nick McCarthy, who left the band last summer.
After playing Governor’s Ball over the weekend, the band extended their stay in New York City playing the show as part of Governor’s Ball After Dark.The crowd was as electrified as the band, especially when they played dance-beat heavy songs such as “No You Girls”, “The Dark of the Matinee” and “Take Me Out”, dancing, jumping and waving their arms to the music. Franz Ferdinand returned to the stage for an encore performance and ended their show with energy surging, “This Fire” and hand-in-hand the band took a bow. Continue reading
If you’re a music fan in North Brooklyn, you’ve probably heard of The HUM, a kickass all-female music fest. In past years, it was held at the now shuttered neighborhood fave Manhattan Inn, and this year Good Room (98 Meserole Ave) is playing host. Last week, Erika Spring from Au Revoir Simone took the stage with several other megatalented megababes. Tonight’s show (which we will be covering) features Sadie Dupuis of Speedy Ortiz plus a solid lineup of additional female powerhouses. Tickets ($15) will be available at the box office tonight, and you can get $12 tickets online for the upcoming shows. Rock out with your frock out! Continue reading
Have you ever gone to see a band, super pumped, and witnessed a crowd of people standing around sipping craft beer and stubbornly refusing to do little more than nod their heads in time to the music? Yeah, we’ve all been there—it’s awkward for everyone. Refreshingly, when Israeli trio Balkan Beat Box took the stage at Brooklyn Steel (319 Frost St) in late April, this was definitely not one of those moments. In fact, inside Bowery Presents’ newest place to party—specifically designed for large crowds and good visibility of the stage from virtually any vantage point—I experienced a moment of live music euphoria: a few seconds of music video-worthy bliss where literally everyone in the massive venue was off their feet, jumping in the air.
Long story short? When vocalist Tomer Yosef tells you to jump, you jump… splashing craft beer and all.
Tonstartssbandht (tahn-starts-bandit) isn’t just a psych band with a challenging name—their music creates sonic collages that take you on a journey through a misty rainbow forest odyssey. This past Sunday night, they played the evocative Park Church Co-Op (129 Russell St.), and if you haven’t been there for a show it’s definitely worth checking out. The acoustics and the atmosphere is truly breathtaking. On Sunday, Tonstartssbandht was supported by Dougie Poole and Turnip King.
This past Easter Sunday at Brooklyn Bazaar (150 Greenpoint Ave.), Eyehategod played with support from Ecstatic Vision, Netherlands and Haram. Eyehategod’s set was toxically electric, but as a mosh pit weakly formed and then disseminated in the middle of their set, the band asked the crowd for more excitement. Perhaps the anemic crowd was due to it being Easter Sunday night, but those who were there did eventually step in to rock out. All photos ©Dylan Lappin. Continue reading
Did you stop by our Old-Timey Valentine’s Market on February 11th? If so, you definitely heard the lovely tunes from the oh-so-swell jazz trio, The Big Cat Menagerie.
Who are they? What do they do? And, why can’t you stop dancing?
Today you probably could use a little distraction from all the election chaos. So here’s a sweet little video sent to us by Greenpointer Sachin Shenolikar. His band Condescending Liberals was playing on Manhattan Avenue during the NYC Marathon this past Sunday, and at one point, he handed his guitar over to a member of the NYPD and the officer jammed along. Awesome!
Had a blast playing with the Condescending Liberals at the NYC marathon today! So, a couple of hours in I noticed one of the cops standing near us smiling and bobbing his head to the music. My hands were cramping up a bit, so I took a break and chatted with him as the band jammed on. He said he was a guitar player too. I asked if he wanted to jump in and play. He was like, “Yeah!” I took off my axe and handed it to him. And that’s when things got really funky…
It could be easy to dismiss Wye Oak as another band for the denim shirt crowd—mellow, buttery dream-folk churned to the point of blandness. But the Baltimore duo, who played at Warsaw in Greenpoint Tuesday night, have some seriously un-bland musical chops—they’re kind of a reverse White Stripes, and that’s a good thing. Where The White Stripes had grit and a lack of polish, Wye Oak sound and look totally put together, as if they’ve walked out of a J Crew catalogue, if J Crew was trying to lean into the indie musician angle this season.
Andy Stack and Jenn Wasner have been making music together for 10 years, so their on stage collaboration is truly comfortable. Musically, they finish each others’ sentences. Andy keeps the rhythm rolling, simultaneously playing synths with one hand and drumming with the other, while Jenn is the mouthpiece for the band (Andy isn’t even mic’d) and shreds on the guitar. The pair are truly making gender-balanced rock: even though the vocals are female, their music isn’t feminine. Most of the time Jenn’s voice is melting into the back of the soundscape, creating a lush, oceany resonance. And when her voice isn’t buried back there, she sounds like a nymph-like ghost. It’s haunting, romantic and powerful music. Continue reading