What types of books are your fellow Greenpointers curling up with this winter? More winter survival tips are coming your way this week, this time we get some solid literary recommendations from Word Bookstore’s Brooklyn floor manager Steffanie Ostrowski.
BOOKS: WORD BROOKLYN| 126 Franklin Street Steffanie Ostrowski, Floor Manager
Greenpointers: What types of books are currently the most popular at the Greenpoint store?
Steffanie Ostrowski: I think that in general, everyone is looking for a lot of social science books so that they can learn about things that are going on today. Also, there’s the escapism of fiction so that they don’t have to deal with the world, so people are getting the new fiction that’s coming out. When Pete Souza’s Obama book came out, that was our big ticket item. Now it’s out of stock everywhere because everyone just wanted to remember.Continue reading →
This week from February 2-3, party collective and record label Rinsed/The Umbrella are presenting their latest immersive show and music video experience, which examines the internet’s most tortured souls—social media influencers—at a secret North Brooklyn location. The satirical performance titled Under The Influencer uses a 360º hexagonal stage with surround sound pumping an original electronic score. The custom stage is set up so that the audience will constantly rotate to experience different vignettes around them. Three video screens will be playing music videos, and three stages will show live action interludes to tell the narrative. Each night there are two shows, one at 8pm and the other at 10pm.
Tickets are $15, and we are giving away a FREE pair of tickets to a show at whichever day and time you choose! To enter, visit our Facebook page via the form below and enter your email. Winners will be notified at the end of the day on Wednesday January 31st, and receive location info.
Greenpoint’s own (and totally adorable) craft destination, Brooklyn Craft Company (165 Greenpoint Ave), is hiring for Pattern Makers and Workshop Instructors. Read more for full details on the gigs and how to apply: Continue reading →
Hey Greenpointers! How’s everyone’s New Year’s Resolutions going? Excited for the Super Bowl?
If you’re anything like me, you don’t really have any resolutions (just trying to live my best life) and you absolutely despise the Patriots (Tom Brady is a cheater and a T-supporter), so all the more reason to check out some art this weekend!
On Friday, the Greenpoint Gallery is hosting its first open call group exhibition of 2018. Also Friday (and through the weekend), check out the politically-overt exhibition at SHIM/ArtHelix. And come Monday evening, we have two very interesting literature events: Geoff Cobb reading from his book Sugar King and the all-women publishing collective Mag Mob discussing the future of independent publishing.
You see, there’s a reason why you live in the center of the universe, even if it costs you 60% of your income to rent an apartment here!
For “Home”, Westergren combines recent works and two-site specific installations. Recalling a house in the country, the works use elements of elite traditional decor like Murano glass, wallpaper and hunting trophies to explore interior distress amid outer luxury. “Gut Renovation” combines trompe l’oeil and papier-mâché animal heads that glare back at the viewer to create a menacing domestic space. “Carolyn Glasoe Bailey June 25, 1969- November 16, 2015,” titled in memory of a friend, is a taut juxtaposition of images of Scandinavian domestic life with motifs of emptiness and loss. The final piece, “Gardening,” gathers natural forms and vintage glass pieces into a sculpture that invites viewing from multiple angles. Its structure of twisted brass pipe recalls rusted and rotting infrastructure even as its lights rise to transcendence.
Ok, y’all… how we doing with those New Year’s resolutions? It’s been about three weeks, you still with me? Because I know one of those resolutions was to “see more art” or “soak up the culture” or “take full advantage of this great city,” something like that?
“Don’t be silly, Andy,” you say. “I love art, I see art all the time!”
I double-dog dare you to hit two of these six galleries this weekend.
Microscope is very pleased to present Break The Sky, the first solo exhibition at the gallery by Jeanne Liotta, whose works we have previously shown in “Triple Blind” (2013), “Slide Slide Slide” (2014), and “Dreamlands: Expanded” (2016-17), a series of expanded cinema events presented in collaboration with the Whitney Museum of American Art as part of the exhibition “Dreamlands: Immersive Cinema & Art 1905-2016”.
A recurring theme of Liotta’s practice – which spans the mediums of moving image, photography, collage, installation, painting, drawing and performance – is a personal and poetic interest in the intersection of art and science and the tools and technology thereof.
On a quiet stretch of North 7th Street, neighboring the BQE, in the shadows of rising condominiums, lies a glass-front, converted warehouse space. There’s no signage, no buzzer, and from the outside, it’s unclear what is going on inside: a handful of people hover over large gray machines, operating levers and rolling cranks. With just a little imagination it could be a white-walled submarine or some kind of steel widget factory.
“I’ve never hung a sign out front,” says the founder and owner, Daniel Gardiner Morris. “When I have events, I have a little A-Frame sign that I’ll sometimes put on the sidewalk. It’s almost maybe superstitious at this point that I’ve never put a sign up.”
Not knowing what they do in there is one thing. Not knowing it’s there is another—it’s been at that same location since opening in 2004.
Inside, the space is awash in daylight from the large windows. The room itself is longer than it is wide, and lined with silver and grey metal machines, rollers attached, a few rustic wooden cabinets, and in the middle of the room is a grouping of tables topped with posters and wood blocks and artist tools.
Is it beginning to come together? Yes! It’s The Arm (281 N 7th St), Williamsburg’s longstanding public access letterpress studio, which Daniel Gardiner Morris has owned and operated for nearly 15 years.
Wow, has it been cold or what?! I mean, like, we went straight past Netflix-binge-cold to I-hope-the-delivery-man-doesn’t-freeze-to-death-cold. (Also, I know y’all tip heavy so I won’t even get into that.)
This first week of 2018 hasn’t exactly been very welcoming, what with that bomb cyclone. Trendy storm names, though, so that’s cool!
But we’re past that now, y’all. We made it to the other side. It’s gonna be near 60 degress on Friday! Time to get out there and support your local artist community.
We have a ton of openings happening this week and this weekend, starting tonight, so bundle up and get amongst it!
Opening January 8th and on view through February 3rd, this collaboration between Precious Okoyomon and Hannah Black presents a process of digestion, shitting out, decaying and rebirthing, seeking human-like if not reliably human assistance through playful figuration: teddies, dolls, and creatures both cooked and raw.
I Need Help comprises a disintegrating iteration of Black’s recent solo show at the Chisenhale Gallery in London, Some Context, with works by Okoyomon made in response.
Safe Gallery is pleased to present an exhibition of sculptures and drawings by John Newman from the last 35 years. The seed of the exhibition is Newman’s completion of 65 drawings, for his 65 years, while in France in the summer of 2017. Newman thinks of, and titled, these drawings as Developing Old Negatives: Bringing extant images to life again. Some are drawings of existing sculptures from Newman’s 40-year career, some are speculative spaces, and others are ideas for future sculptures. Installed in the gallery’s front room, these drawings provide a roadmap to Newman’s ideas about space, structure and form.
If you haven’t already heard, the rumors are true. The building where Bar Matchless (557 Manhattan Ave) is in has been sold and they were asked to vacate the premises. But they aren’t going down without a fight and they are still open for business.
The question of how long remains precarious as they have not been able to reach the landlords or new owners about the possibility of staying. For now, Tuesday 2-4-1 drinks, cheap late night food, and epic hangover brunch lives on in what is a Greenpoint institution.
Bar Matchless is one of the last men standing, having survived the death knell of North Brooklyn DIY spots and small performance spaces of yesteryear. Since its inception in 2003, it’s always been in the black and is still a legit thriving successful small business. The only reason it is slated to close is because the current landlord has not renewed the lease and the new owners remain out of touch – literally and figuratively. Continue reading →
By now you’ve surely noticed the 4-story mural on the building on the corner of Greenpoint and Manhattan Avenue. Completed in late October, painted by Swedish artist Ola Kalnins, the mural covers the entire building facade at 903 Manhattan Ave, which is owned by Peter Kirchhausen.
In a neighborhood that seems to be more and more inundated with advertising (hand-painted or otherwise), it’s damn refreshing to see some art for arts sake.
Funded by the Consulate General of Sweden, the creation of this beautiful mural is documented in this short film. Enjoy!
There’s been a lot of activity and news lately about the iconic Domino Sugar Factory on the Williamsburg waterfront. Our own historical writer Geoff Cobb recently published a new book about Domino titled The Rise and Fall of the Sugar King, and he’s been sharing some of those stories here on our site. Additionally, the redesign proposal for the Domino site was recently approved, and the architects shared the final plans for the waterfront park. And just a few weeks ago we were able to tour the first new building in the Domino Sugar complex at 325 Kent Street, with the major selling point seeming to be the stunning views of Manhattan and the Williamsburg Bridge.
From now until January 14th, photos taken inside the Domino Sugar complex are on view at former Williamsburg gallery Front Room (48 Hester Street) in Manhattan. According to the gallery, “In 2013, Paul Raphaelson received permission from the developers of the Domino site to explore every square foot of the refinery just weeks before its gutting and demolition. Raphaelson is the last photographer given access to the factory.” The gallery is open Wednesday through Sunday from 1-6pm. Smithsonian has a detailed article about the photos, and the site’s history.