By way of São Paulo, Julia Brandao has come to grace New York with knowledge of the finest cultural relics and wisdom from what seems like the world’s edges. As a textile and sculpture artist having traveled all over the world (though she calls Brazil her home), Julia’s love for collage canvases a mix of experiences and thoughts from the people and places she encounters. Her work largely prefacing the influence of memory, she glues together the thoughtful impressions that evoke feelings of familiarity through colors, shapes, and textures.
I was first introduced to multi-media artist Christine Gedeon through her site-specific installation at the new Greenpoint events space Dobbin St. and soon learned her wealth of work includes complex sound installations referencing her Syrian heritage and family, stitched cartography, and celebrity “blueprint drawings.”
We recently discussed her process and approach when working in these various mediums, specifically her relationship to Syria and her family there during this now 5-year civil war. We also talk about Greenpoint, naturally, and how it reminds Gedeon of mid-90s Prague.
Greenpointers: What is you favorite thing about Greenpoint?
Christine Gedeon: What I love, especially about Greenpoint are the low buildings, the light, and the mix of cultures. The Polish community that was of course more present in the 90s and earlier, also for me had it’s charm, as I was living in Prague in 1996-97 and felt immediately comfortable in Greenpoint. If there had been a better connection to public transportation, I probably would’ve stayed there, but then again, so would many others, and that would’ve made it lose it’s character…
You were born in Aleppo, Syria, and raised in New Jersey… Can you tell us about the inception and process to create your work Syria..as my mother speaks… The 5-year civil war there is just devastating… can you give us some insight to the country and culture and how that fits into your work and everyday identity?
Yes, well, seeing what was happening as the war started, and how affected I was by it, I felt compelled to do a piece that had a more personal story, than what one was just hearing on the news… We left Aleppo in the 1970s when I was three years old, and moved to the U.S, for no other reason than my parents getting divorced, and there were more opportunities [in the U.S.] for my newly divorced mother. It was quite easy to move to the U.S. as Jimmy Carter was president, and my uncle sponsored us, so we obtained our green card right away, and became citizens some years later.
Ok so it seems that Summer is officially done and done… and for two weeks we’ll get to enjoy “Fall” before Winter sets in. So get out there! Catch some international burlesque, see a movie, visit an art studio! Because soon enough it’ll be zero degrees with a wind chill of -20.
I love this time of year when Fall starts trickling in and warm sunny days are tempered with a little bit of crisp in the air. So last week, when Mother Earth granted us a couple of these perfect days, I decided to work outside and stepped into Transmitter Park, where I was met by a gargantuan illustration of a girl donning traditional Polish socks, in peaceful repose, holding daisies that have lost a few petals that are blowing away. The image though large, blends in unassumingly with the quiet midday scene of the park and is reminiscent of an idyllic innocent childhood. At times like this, it’s hard to remember that just a few years ago, this part of Greenpoint was slammed by Hurricane Sandy and we have been experiencing some erratic behavior with the weather since.
You don’t need to study scientific evidence to know that climate change is real. However subtle or extreme it is in the way it manifests itself in our daily lives, its presence is often like an elephant in the room and we carry on with the same habits even after being shaken up by a natural disaster. I wonder if Transmitter Park will recede with rising sea levels and the days of dipping out of the office to soak in the sun and enjoy the cityscape are numbered. I think about unusually warm winter days and how it felt unsettling. Appreciation of the moment’s beauty sinks in and I gain a renewed sense of urgency that something needs to be done. Continue reading →
Superchief is a bi-coastal gallery, with locations in LA and here in Greenpoint, Brooklyn in the back of Tender Trap on Greenpoint Ave… And it seems like they’re constantly hosting exhibitions of trippy artwork and extreme artists.
We recently caught up with Ed Zipco, co-founder of Superchief, to chat about the weird nature of the art world, what it’s like to live between two coasts, and who exactly buys the weapons and art cars Superchief exhibits.
Greenpointers: With two gallery spaces and a seemingly constant rotation of exhibitions, how do you keep all of this going? How do you stay organized?
Ed Zipco: Yup, we’re proudly working non-stop. We like to keep it moving, we like to see new stuff, and there are so many artists killing it right now, we’re hooked and working on it 24/7.
The length of exhibitions in Greenpoint always varies… this last show with DiMoDa for instance, which features Oculus Rift goggles that visitors can wear and giant wall to wall projections, will be up for nearly a month; while recently we had a few different opportunities pop up at the same time, so we did 4 separate art shows in a single week.
Fall is teetering upon us and its fresh crisp air is a welcome change from our mellow Greenpoint summer. We are so excited to get some of the most talented local makers again for another fun filled day at the Greenpoint Loft on Sunday, October, 30 2016 for an Urban Spookfest themed market!
Creative entrepreneurs and makers of food, art, crafts, jewelry, pottery, etc. – you know who you are – sign up with us to join one of the most enjoyable selling experiences in New York City. Apply here or directly in the form after the jump.
The Greenpointers Markets started in 2011 and has been growing ever since. The last Fall Market had around 2,000 visitors and the Holiday Market had over 4,000! It’s a low-risk way to get your product or business in front of thousands of visitors and spend a day of local shopping, activities, and music in one of the most beautiful spaces in Brooklyn. Continue reading →
Vinyl might be making a comeback, but Greenpoint audio mastering legend Paul Gold never left it behind. At Salt Mastering (61 Greenpoint Ave.) in the Pencil Factory, he’s spent the last 10 1/2 years mastering for such acts as Grizzly Bear, Animal Collective, and LCD Soundsystem.
I recently set aside some time to garner stories from Paul about his history in the business, and maybe get a few technique pointers along the way. Arriving at his place of business, I pried open his door on the fourth floor, and he shouted from the other room to come in.
Paul is a bit of a mad scientist. His hair bounces around as he moves about in his studio, and his large frame glasses are actually of his era, and not worn ironically. We sit in a relatively small unit, the front half filled with tools and scraps of audio gear, while the main mastering room is surrounded by large gear that looks like something out of those black-and-white Twilight Zone episodes on time travel from the 1950’s.
Semi-secret show alert! Our favorite creepy-looking Aussie Alex Cameron is playing Aviv tonight (9/23) at 9:30. It just got announced yesterday by the club. In case you are not familiar with his work, he lays lounge singer sleaze over retro synth sounds.
And the ugliness is actually a makeup job, to help him get in character.
Elsewhere this weekend, there’s SNL’s Maya Rudolph performing with her Prince tribute band, The Levellers and John the Martyr in town, and filthy soul 45’s to sing along to at Our Wicked Lady. Continue reading →