The Vaughns, a band of New Jersey indie rockers, is crossing the Hudson and East Rivers to jam out at Gold Sounds (44 Wilson Avenue) this Friday night. Take the L train (while you still can) to the Morgan Avenue stop for this 7 PM concert on April 26.
The band’s latest music video, “Bring Your Kids to Work Day,” is now available and has already amassed thousands of views. At this Friday’s gig, fans will also have a chance to hear singles including “Santa Cruz,” “Coffee Sundae,” and more. For a full list of dates, please see below or visit the band’s tour page.
When introduced by mutual friends in 2014, David Cacciatore, Anna Lies, Ryan Kenter, and Tom Losito embarked on what would become a friendship, a family, and The Vaughns. Their 2015 EP, tomfoolery, was nominated for three Asbury Park Music Awards and featured on MTV Web series: The Brothers Green. Since 2016, NJ.com has consecutively listed them as an “NJ Band You Need To Hear,” noting that their “dynamic and addictively fun sound is too good to leave out.” With the 2017-2018 release of singles including “Santa Cruz” and “Coffee Sundae” the band received national attention from publications, such as Consequence of Sound, New Noise Magazine, and Atwood Magazine, and have since opened for artists like Japanese Breakfast, Tor Miller, Laura Stevenson, Aaron Carter, and Bad Bad Hats.
Tickets for Friday night are just $10, and more information can be found here.
If I could spend the next six weeks of winter in one spot, it would be tucked in a cozy corner of FourFiveSix (199 Richardson Street) surrounded by the eclectic decor and art, absorbing the rhythmic musical stylings of the St. Amour Jazz Collective. On Sunday evening, the collective performed at the popular neighborhood jazz bar, offering a carefree alternative to Super Bowl festivities.
The St. Amour Jazz Collective features Jim St. Amour on the vibraphone, Luke Markham on drums, and Alex Heigl on bass guitar. It’s St. Amour’s passion project: a percussionist of 35 years, he made a natural transition to the vibraphone to start composing his own works.
“As a composer, I am inspired by the drum n’ bass and neo-soul genres of music. The vibraphone is a beautiful instrument, and its range and percussive tonal characteristics really fit nicely with the harmony and melody of both styles of music,” St. Amour said. He integrated the drums and bass guitar into his compositions, thus shaping the group’s unique sound.
Markham has been a drummer for 19 years. He is well-versed in various genres and plays with a number of groups. When he plays, the drumsticks seem like extensions of his own arms. Both he and St. Amour also teach. Heigl was 15 when he started on the bass guitar. His initial genre was punk before classically training with a jazz bassist soon after. This was the groundwork for his success as an independent bassist. As a group, this trio feeds off each other’s energy, talent, and love of music in an authentic way that makes for a spirited and contemporary live performance.
In the newly released music video for Pink Slater’s “DREAMCATCHER,” director Johnny Cirillo uses Greenpoint as a backdrop to dramatically showcase the neighborhood’s contrasting textures with sweeping drone footage.
Pink Slater’s debut album HOMEGIRL is a new music project from Greenpoint-based musician Tim Poovey, formerly of NIGHTDOGS. Continue reading →
Power pop band Tiny Stills is taking their sophomore album Laughing Into the Void on the road! The band comes to Gold Sounds (44 Wilson Ave) on August 29. Tickets cost $10 and can be purchased here.
Tiny Stills is a power pop band from Los Angeles influenced by Courtney Barnett, That Dog, and 90s/00s rock. Their first album, Falling is like Flying, was released in 2014 and was a direct response to the isolation and anxiety that comes from life changing events after front-person and founding member Kailynn West was held up at gunpoint. It’s upbeat and pop-y melodies were born from a desire to make something that felt and sounded nothing like the she felt at the time — happy. Since then, West has been the nucleus of the project with a rotating cast of band members, but most recent lineup includes Harry Foster (bass), Zach Comtois (guitar), and Tony Thaxton (drums).
Tiny Stills released their sophomore album, Laughing Into the Void, on June 1. The record premiered in full on Music Connection. Full of brutal honesty, crunchy guitars, and catchy melodies, Laughing into the Void is here to help you remember that even the worst days have a silver lining: at least you’re not alone.
It seems like everyday another venue in North Brooklyn is closing. It’s a real bummer and unfortunately it’s not a new story; lots of establishments end up priced out of rapidly changing neighborhoods. We’ve been informed Brooklyn Rod & Gun will be closing its doors in the next few weeks. However, they at least have a pretty great 2nd to last ever show lined up for tomorrow to go out in style. Continue reading →
There’s a very cool-sounding event happening Sunday at Trash Bar (256 Grand Street). It’s called The Lottery Show, and what that means is more than a dozen local bands will be combining their members to create five all-new bands. Continue reading →
(sponsored) Lost Kings and Bored Spacemen, is the fifth studio album from electronic musician and composer NAUGHT. Eric Scott, the man behind the moniker comes originally from Salt Lake City, Utah, lived in France and has permanent resident status in New Zealand, but he’ll say that he spent some of his most formative years in the area surrounding McGolrick Park, and is where he resides today. Continue reading →