
We’re always voyeurs, as audiences in a theater, but the three-paneled walls we peer through in Cabin only heighten our perverse role. In this titular cabin, men are spied on by more than just the audience.
Is Sean Donovan’s new play a bittersweet romance, a queer thriller, or a haunting look at outsiders in unfamiliar terrain? It boldly marries all three in its intricate constellation — or…
