Martynka Wawrzyniak has always been a conceptual artist. She thinks deeply about her relationship to the world and comes up with self-portraits that are inimitable and brilliantly unique. These ideas often utilize unusual substances and require her to collaborate with specialists in an eclectic range of fields.
For example, in her 2012 project, Smell Me, she spent two years working with Hunter College Professor Donna McGregor and a team of chemistry research students to create an olfactory-based self-portrait utilizing the extracted essence of her sweat, tears and hair.
In another project, Feed, she collected a year’s worth of her used cloth dinner napkins in order to create a suspended double spiral where viewers walked through her life in the self-described “stains of my existence”.
By way of São Paulo, Julia Brandao has come to grace New York with knowledge of the finest cultural relics and wisdom from what seems like the world’s edges. As a textile and sculpture artist having traveled all over the world (though she calls Brazil her home), Julia’s love for collage canvases a mix of experiences and thoughts from the people and places she encounters. Her work largely prefacing the influence of memory, she glues together the thoughtful impressions that evoke feelings of familiarity through colors, shapes, and textures.
In 2006, artist and educator Brooke Borg was a recent college graduate with a one-way ticket to Barcelona. In 2012, she finally came back to the United States, MFA in hand and fluent in Catalan, ready to continue teaching and creating art in Brooklyn. Her work has been influenced by her travels, her own family and religious background, and the experiences of others that she’s collected and adroitly examined by using drawing, sculpture, and electronic media. Last week, Borg invited Greenpointers to her Calyer Street studio for a preview of her newest works-in-progress about modern love relationships. Continue reading →
As I left the building last Friday to check out a few art shows opening in Greenpoint, a bread crumb trail of postcards with what looked like a giant cracked open pink Sno Ball sculpture led the way to Dose Projects were I had a chat with “California artist living in Cleveland,” Lauren Davies, whose mixed media sculptures are inspired by odd DIY roadside museums where you can buy rocks from outer space.
Alone time can be lonely or even scary, but it’s also a time when we can truly know and understand ourselves (See what I mean? Scary!) Featured Valentine’s Market vendor Janet Rutkowski, a metal worker who will be selling small scale heart sculptures and candle holders on Sunday, told us about her love for being by herself in her studio, working with fire!
(SPONSORED) City Sculpting is looking forward to another spectacular summer beginning July 8th at our Manhattan and Greenpoint locations!
Art teachers Vanessa Solomon, Elaine Carl, Katherine Valentine and Gemma Gibb bring their diverse artistic experiences and talents to our students.
Our 2013 City Sculpting Summer program will explore countless ways of making, building and casting all sorts of sculptural creations. We use life casting to inspire projects around a theme of self portraits. We will make exotic clay creations inspired from Africa and Mexican masks. Children will learn to weave, bead and make endless crafty creations. Not to mention print making and water colors and basic life and fantasy drawing.
Children build on projects one day at a time, expanding their technical skills and creative realms.
Older children are are challenged with more advanced projects and techniques. Our age range is 5 to 12.
We are outward-bound everyday, weather permitting, for free play and outdoor picnics, and our Greenpoint location has a magical garden!
Many children come back for a second week and return with friends to our program every year!
DISCOUNT! 10% OFF IF YOU MENTION GREENPOINTERS!
The classes are small and space is limited, advance registration is advised.
The average class size in Brooklyn is 6; in Manhattan it is 12 to 18. Child teacher ratio is 6 to one.
The program runs from 9:00 am to 3:00 pm. Extended days are offered at both venues, pricing will vary according to numbers.
Registration is weekly and only a few spots are available. Hurry to inquire by emailing Vanessa (at) citysculpting.com or call Vanessa at 646-2218450
Clay Space 1205 celebrates 7 years of community and creativity! Tonight, Friday March 22, 2013 from 6-9pm, join Clay Space (1205 Manhattan Ave) for a group show of former and current members’ work exhibiting the diversity of the Clay Space community.
In order to enter Crest Hardware Store for a sneak peek of the art show, I hopped over a sunshine yellow threshold that was still wet from a fresh coat of paint. Retrospectively, this little leap was something of a magical moment – a transportation into an inspiring oasis that is cultivating both community and creativity in its surroundings. Continue reading →
The warehouse space the size of Rhode Island that served as mothership for the Northside Festival was the perfect place to first experience TheHÜB.
A striking modern sculpture and interacting (as opposed to interactive) space where participants of [email protected] could take a seat, drink free beverages, ask each other a million questions, check out trending topics, or be accosted by a blogger in search of quotes, TheHÜB calls attention to a need we didn’t know we had: The need to look up from social media and speak directly to the people around us more often (even if they appear to not be very into it at first).
When those people around us are obsessed with the same things we are it isn’t hard. Peter Raymond, the organizer of TheHÜB, says about Northside, “What we did was host impromptu gatherings and after speaking engagements. It was received very well and we have been invited to as far as Jordan and Greece to exhibit.”
Heading over the Williamsburg Bridge, have you noticed the colorful oval tiles, an art installation that covers the rafters on your way down towards Manhattan? It is one of my favorite pieces of public art, not only because of how happy it makes me as I whiz down, but because of the intrigue the work inspires and how bold the artist is, not only in his color choice, but it makes you wonder, “how the hell did he do that?”
When I walked by Black and White Gallery on Driggs this past week, I spotted those eye catching ovals. Was he so audacious as to tape them to the outside of a gallery?
Of course I barged in and met Peter Brock, who was installing his first solo exhibition in the space.
The Most Exciting Part About An Old Brick opens tonight, Friday April 20th from 6-9pm, and he is giving out presents!