SummerScreen, presented by Northside Media (Northside Festival), has revealed its movie lineup for the summer! Brooklyn’s favorite free film and concert series will return this summer to McCarren Park for its thirteenth consecutive year. Taking place every Wednesday in July and August, the weekly event will screen eight films in the park and will offer food, beverage, and live music. Screenings kick off Wednesday, July 11. Continue reading
Ladies Who Ranch, Art on Airwaves, La Banubas, Paint and Sip — What’s Happening, Greenpoint? (3/7–3/13)
For just $1 get a ride to nearby subway stations to/from Greenpoint with Via, an on-demand ridesharing app!! Download the app here and set your pick up or drop-off location by moving the pin on the map to the locations for any of the following train stations:
- Marcy Av (JMZ train)
- Vernon Blvd – Jackson Av (7 train)
- Bedford Av (L train)
- Lorimer St/Metropolitan Av (L and G trains)
- Graham Av (L train)
- Nassau Av (G train)
- Greenpoint Av (G train)
Expires Monday (March 12, 11:59PM). Install the Via app now! [Sponsored]
^ Tables of Contents Reading Series: Hunt! Gerrard! Caldwell! @Egg (109 North 3rd St), 7pm, $5, Each reading will be paired with snacks inspired by its text, plus you’ll be in for an author-curated playlist and a rangy Q&A/discussion on writing, craft, aversion, and creativity to wrap up the night. Beer and wine will be available for purchase, and WORD will be present slinging text, More info
☺ Ladies Who Ranch @ Vital Joint (109 Meserole St), 8pm, $5-10, Group of women does jokes for laughs at comedy show to change the national conversation. The show is followed by the Ladies Who Ranch Open Mic, an experimental comedy mic that especially encourages multimedia performances, More info
♫# Live Flamenco in St Charles Cellar @St. Mazie Bar (345 Grand St), 8pm, FREE, A night of authentic Flamenco in our beautiful speakeasy. Full dinner menu available as well as a 3 course Pre fixe menu, cocktails, absinthe and more… Ole!, More info
♫ Carte Blanche @Radegast Hall (113 N 3rd St), 9pm, FREE,French, Latin and American tunes while you sample the incredible selection of authentic german beers on tap and maybe have a giant german pretzel or bratwurst from the grill!! Space to dance!, More info
* Kombrewcha’s International Women’s Day Celebration @ The Williamsburg Hotel (96 Wythe Ave), 6:00pm, $3, Boss Ladies doing big things. We’ll be hosting a panel on Women Who Do. Buy tix
* NYC DRAFT Meetup @ PencilWorks (61 Greenpoint Ave), 6:30pm, FREE, Fast-paced hour of ideas, entrepreneurs and bikes, capturing the exciting things happening in the bike industry, RSVP
♫ ♦ Art on the Airwaves @ Union Docs (322 Union Avenue), 7:30 pm, $10, A showcase of radio documentary selected by James T. Green, cofounder of Postloudness, a collective of independent audio shows by people of color, women, and queer-identified hosts that aims to create a community of unique voices in audio. Buy tix
♫ Anna McClellan (Record Release), Navy Gangs @ ALPHAVILLE (140 Wilson Avenue), 10pm, $10, Buy tix
♫ Mughal Legion 3 Ft. Fanaa @ Legion Bar (790 Metropolitan Ave), 10pm, FREE, Part 3 of a monthly-ish series of musical rites to be performed at Legion Bar, curated by Mughal Muesli. More info
I was looking at a list of films made in Brooklyn, which listed 146 films shot in Brooklyn. When I looked at the list I noticed that many of the films, which were shot at least in part in Greenpoint, were not on the list. This is an incomplete list of films with Greenpoint locations. If you know of films not mentioned on this list, let us know by emailing [email protected] or commenting on this post.
First on the list are two of the most iconic films made about Brooklyn: 1) Serpico (1973) with Al Pacino, which was shot on Driggs Avenue and 2) Donnie Brasco (1997), based on the real life Greenpointer Sonny Black Napolitano, was shot on West and Manhattan Avenue.
3) The Siege (1998) with Denzel Washington was shot on Manhattan Avenue.
On Tuesday evening, Nitehawk Cinema (136 Metropolitan Avenue), kicked off its Fifth Annual Shorts Festival, and film fans packed into the theater to celebrate the art of short filmmaking. Shorts Fest grows every year, and this year’s programming will span 6 days, until Sunday, November 12th. The exciting and eclectic offerings include programs devoted to horror films, music videos, and the relationship between art and pop culture. Also on tap are free parties, panel discussions, gatherings and workshops designed for the film community and open to the public.
Tuesday’s program screened 8 films, and many of the directors, producers, editors, art directors were on hand to talk about their work after the screening. It was a pleasure to hear how these tightly focused, moving pieces came to be. While several of the films were made in New York, the program transported viewers as far as Florida, Puerto Rico and Belarus.
Caryn Coleman, Greenpoint resident and Director of Programming/Special Projects at Nitehawk, who has helmed Shorts Fest since its inception, explained that for this year’s Festival, she chose pieces in conversation with one another, rather than grouped around a specific theme. As a result, the Opening Night films, covering topics as diverse as narcolepsy and national politics, all engaged with universal issues of culture, family, identity and love, often in the face of uncertainty or absurdity. Continue reading
The Brooklyn Horror Film Festival creeped the hell out of the neighborhood last weekend (Oct 14-15), and I had the sick pleasure of attending a screening of Mexican indie horror anthology Mexico Barbaro II, at the Wythe Hotel (80 Wythe Ave). Inspired by demented classics Creepshow and Tales From The Darkside, the second installment of Mexico Barbaro included shorts from eight Mexican directors who delved deep into personal nightmares to share their most terrifying inner thoughts with an audience. Friday night’s screening included a Q&A with director Sergio Tello, and one of the directors of photography. Throughout the shorts, there were some religious elements present, whether it was a cross in the background, a demonic character, or a retelling of a fable. Some of the refs were specific to whichever part of Mexico the film took place, as different regions of Mexico have different religious traditions. “Each segment has its own religion,” Sergio remarked. Continue reading
In its 11th year, The Korean American Film Fest’s Infinite Cinema, headed up by Chung Tsang and Mark Anthony Singh, was held this past Saturday, October 14th in the Wythe Hotel Screening Room (80 Wythe Ave).
A passage on the fest’s website reads, “Embracing the motto of CONNECT. FUSE. REPEAT. KAFFNY Infinite Cinema challenges its audience to discard notions of cultures as separate, discrete and insular, instead exploring the infinite possibilities of contact, fusion, and creation born from the mixing of different backgrounds.”
True to that directive, KAFFNY’s collection of films, which crossed multiple genres and mediums, maintained an impressive cohesiveness in its focus on shared experience, exploring distinct cultural backgrounds within the global context. Cleverly divided into five thematic segments, the fest included 25 short films and two feature length films, as well as moderated panel discussions with many of the filmmakers and actors. Continue reading
It’s that time of year, folks. There’s a chill in the air, and down your spine. Trees become skeletal, the ground crunches underfoot, the moon comes out and the fog rolls in. It’s time to get freaky, and the Brooklyn Horror Film Fest can help you do just that. Taking place this year over the weekend of Friday October 13th through Sunday October 15th, we are lucky to have most of the screening venues in our ‘hood. Perfect for a date, or going it alone (if you dare). They’ll be presenting independent feature films and shorts from horror filmmakers from around the world, including some local to NYC. And, the fest will also be hosting an opening night party, panel discussions, Q&A’s with filmmakers, games, contests, merch tables, an award ceremony and a sendoff party after the final screening.
Badges are already sold out, but you can still get tickets to individual showings, from $13-$18 depending on the event. Below, we’ve listed the films that are being shown locally, but you should check their site for a full listing of films and events all over Brooklyn. Continue reading
Experimental film and art venue Light Industry is located on Freeman Street, on the bottom floor in an unassuming apartment building on this tree-lined Greenpoint street. The movie theatre is led by a hearty team of two: co-founders Thomas Beard and Ed Halter curate the programming, cultivate the audiences, and maintain the performance space.
The space itself at Light Industry is white-walled and welcoming. Its simple appearance falls in line with the company’s ethos. “We have a very approachable space,” says Halter. “It feels modest, it feels like it is human scale — both Thomas and I feel inspired by the DIY scene.” Beard says that the screening room is a cinema reduced to its most essential values, with a white projection surface, a grid of folding chairs, and a couple of speakers. The screening room can accommodate up to 75 people. The theatre’s small team paired with its intimate space bring audiences closer to the programming. A patron once said that the experience of visiting Light Industry is like going to a film nerd’s basement. And that’s just what Beard and Halter were going for. Continue reading
This past Tuesday night, the William Vale (111 N 12th St) hosted a screening of the fantastic new Netflix comedy The Incredible Jessica James. The event was hosted by Rooftop Films, a non-profit founded in 1997, dedicated to exposing people to new films and assisting up and coming filmmakers to produce new work.
The film stars Jessica Williams as the titular Jessica James, a young playwright in her mid 20’s navigating her emotions after a recent breakup, while keeping her spirits up amidst a slew of rejection letters from theater companies. The film follows her as she learns lessons about herself through her relationship with Boon (played by Chris O’Dowd), a recent divorcé with whom she shares a budding romance, and her students at a children’s theater company. As so many people do in their mid-20’s in New York, she starts out with a very idealistic view of where she wants to be romantically, professionally and personally, and throughout the course of the movie discovers that she is actually right where she wants to be. Continue reading