This open call exhibition is curated by Shawn James and tonight’s selected Best in Show artist wins $200 and a solo exhibition. This show is one night only, across two floors of the gallery, and features a lineup of local bands and musicians including Joe Krzyzewski, Jim Saint-Amour, Hanford Reach, Hoag & the Weasel, Castle Black.
Guy Nelson is a Midwesterner, who grew up surrounded by nature. For this reason, he doesn’t romanticize the natural world as a place of transcendence, but sees it as a familiar environment that functions as a kind of Rorschach test; the longer you stare and wonder, the more your mind makes of the twisting branches in the long shadows of a late fall day.
From this close attention, Nelson has created a world of blurred demons and shadowy creatures, myths that emanate from the mouths of old hunters, whether to scare children or just to keep their minds busy while waiting in the brush. Myths in his work speak to a greater truth of the natural world; it is a place both unsentimental and mysterious, where life and death pass with very little care for human context. There is a grim undertone to Nelson’s oft-repeated motifs that, like their subject, tantalizingly suggest meaning before disappearing through the trees like a morning’s mist.
Saturday, December 2nd, Byron Westbrook premieres Interval/Forum, his third and final piece as a 2017 ISSUE Artist-In-Residence. The work completes a series of conceptual environments that collaborate with audience perception and participation, making use of the theatrical setting of Irondale Arts Center to focus and expand the perception of audience presence as a dynamic performance element.
The piece experiments with an audience situated in a large stage setting that contains sound design and periodic lighting changes. The installation-as-performance environment incorporates the filmic cut and fade techniques of coordinated light and sound framing gestures used in Interval/Habitat (at ISSUE’s 22 Boerum Theater in April, 2017), while utilizing the color washes and audience illumination explored in Threshold Variations (at Abrons Art Center in September, 2017). The cohesion between these techniques aims to shift the social orientation of space dynamically between levels of “incidental” and “focused.” Sound is approached as architectural, using found sound, sound effects, white noise and contemporary music to create illusory audio design in the space, functioning in conjunction with technical lighting.
The piece places an emphasis on both visual and social “afterimages” where there is a cognitive and collective response to abrupt scene changes, allowing room for emergent audience response to the unpredictability of the environment.
The performance-as-installation runs from 8 to 10pm. Attendees are encouraged to arrive at any time during the duration of the piece, as well as move throughout the space, enter, and exit freely.
Event listings submissions may be sent to Art [at] Greenpointers.com
The Other Art Fair returns for its second US edition to Greenpoint’s own Brooklyn Expo Center (72 Noble St) this week on November 9-12. Presented by Saatchi Art, the fair showcases work by 120 talented emerging artists from Brooklyn and beyond, each hand picked by a committee of art world experts.
Art lovers can visit the fair with confidence that they are buying from the very best and most promising emerging artists in a unique and immersive experience. With artwork prices starting at just $75 there is something for everyone! Alongside the exhibiting artists, visitors can discover exciting an unusual features including live hand poked tattoos by Brooklyn’s Bluestone Babe, The Guardian virtual reality, an engaging talks program by Saatchi Art and a hidden secret bar…
Kate McQuillen greets me from the driveway of her charming and noteworthy Greenpoint house, directing me into the garage where her fluorescent printmaking studio is set up. Her companion Kassie, a sterling herding dog, is attentively surveying the area and happy to have another to look after. The inherent New York City ankle weights have already slipped away, leaving us to speak candidly in Kate’s kaleidoscopic space. While we talk, the garage door remains open and Kate periodically greets her neighbors passing by. I feel as if I have crossed a portal into an alternate dimension, or at least am no longer in the city.
Greenpointers: When were you first exposed to art as a child?
Kate McQuillen: My dad studied painting in graduate school, and during my childhood worked as a graphic designer in Boston. We always had an art studio in the house, which allowed me the opportunity to experiment with literal cut and paste tools like transfer paper. I’d imagine this is what initially pushed me into printmaking. I think of printmaking processes as the perfect place between design tools and fine art tools. I always had a lot of interest in drawing, but was never super into oil paint. I think my new work is taking on a form reminiscent of paintings, but I can still use the printmaking tools I’ve grown to know and love.Continue reading →
Much of Greenpoint’s magic and mystery lies off the beaten path… beyond Manhattan Avenue, the “other side” of McGuinness, in the shadow of the BQE… this is where the artists thrive, where you’re free to make and create. Ultimately, it’s these nooks and crannies that make Greenpoint such a creative center.
Don’t be afraid to make the trip and meet these GOS artists!
OK, guys… we’re in the midst of some serious cosmic happenings… As you may know, Jupiter, Saturn, Mars, and Pluto are all currently in retrograde. And Mercury turns retro next week. What does all this mean?
Well, Jupiter deals with personal growth and expansion, so don’t freak out if you feel like you’re treading water right now. Pluto rules love and relationships, Mars is all about emotions and *gulp* sanity, and Saturn essentially manages your karma points. in short: if you feel kinda crazy and listless, you’re not alone!
What better time to check out some art? Get pro-active, y’all. The cosmos may be trying to hold you back, but go out there and let yourself be great!
Showcasing a variety of multi-genre experimental and interactive prose and poetry across mediums, this exhibition is hosted and curated by Lana C. Marilyn.
The Lit Exhibit is a project that launched in July 2016. The show returns in Spring 2017, this time at New Women Space, for its second iteration. The gallery will feature several contemporary emerging writers and artists.
For The Lit Exhibit: Spectrums, participants have been asked to reflect on the subject of “fluidity” as it applies to daily life, and to produce work that illuminates this theme.
Check out 80-minutes of musical shorts “both ecstatic and sublime,” including vintage jazz, pop, country and gospel performances, Soudies and television and film performances ranging from the late 1920s to the early 21st century. This program is curated by Brooklyn-based film/video archivist Russell Scholl, known best for producing a compact disc by noted American folk artist Howard Finster, “The Night Howard Finster Got Saved.”
Throat Chakra features three artists who engage in concrete wizardry, re-forming elemental material into transformative objects. Insistently abstract, these art objects are interventionist – protruding, bulging. They take up space.
If you’re not familiar, the Brooklyn Art Library is home to The Sketchbook Project, an internationally crowd-sourced collection of 35,000 original artist sketchbooks created around the globe.
With over one million sketchbook spreads housed within their library walls at 28 Frost Street, BAL is a platform for visitors to connect with artists they may never have come across otherwise. And so much more!
Opening Saturday evening, 106 Green present EGO DEATH, a new solo installation by Brooklyn-based artist Lydia McCarthy.
“EGO DEATH is a selection of photographs from Non-Game Ecstasy, a series concerned with self-love, self-care, and a cult of feminine energy. According to The Psychedelic Experience, Game Reality is waking or egocentric reality, wherein one plays the game of life – it is the barrier to higher levels of consciousness. Building up exposures on color film, new objects, colors and patterns become talisman and transport the seeker to alternate realities. Each part of Non-Game Ecstasy, investigates a different aspect of journeying into new realms of consciousness and what the seeker may encounter along the way.” – Lydia McCarthy
McCarthy’s work has exhibited widely, including Essex Flowers and the Scandinavia House in New York and NAU Gallery in Stockholm. In 2012 she was included in the Humble Arts Foundation’s 31 Women in Art Photography. Lydia’s work has been reviewed and published in The New Yorker, The Wall Street Journal, Dossier and the Huffington Post. She received a yearlong American-Scandinavian Foundation Fellowship and has held residencies at the Banff Centre and the Vermont Studio Center.
Lydia McCarthy’s EGO DEATH Opening Reception Saturday, March 18 from 6-8pm. The exhibition will run through Sunday, April 16th. Gallery hours are Sundays 12-5pm. 106 Green 104 Green St. @gallery106green