artist

Lydia Lunch Performing at the Park Church Co-Op 9/28 to Benefit McGolrick Art Installation

Lydia Lunch at Park Church Co-Op

On Thursday, September 28th, the Park Church Co-Op (129 Russell St) will play host to an evening of experimental jazz headlined by post-punk, avant-garde powerhouse Lydia Lunch. Performances will begin at 8pm with pianist Jesse Lynch, followed by Matt Nelson on tenor saxophone, and a trio set by Moppa Elliott’s Mostly Other People Do the Killing. Lydia Lunch and Michael Foster will headline at 10pm. The evening will close with an experimental group ensemble conducted by Lunch. And, if that wasn’t enough to entice you to check this one out, proceeds will go towards McGolrick Park’s public art project, Ziemia (Polish for “Earth”).
To create Ziemia, artist Martynka Wawrzyniak is creating a native plant meadow and a sculpture made with help from Greenpoint residents. The sculpture will take the form of a ceramic orb, fired out of clay excavated in Greenpoint and glazed with a mix of soil contributed by residents from personally meaningful locations from around the world, which symbolize their identities. Ziemia aims to bridge the divides between the neighborhood’s disparate subcultures, serving as a collective portrait of the community through embodying residents’ personal homelands and migration stories.
Benefit details:
Tickets are $12 in advance, and $15 at the door.
Doors open at 7pm, music ends at 11pm
The Ziemia meadow is located in McGolrick Park adjacent to the Park Church Co-Op, and the deadline to contribute soil to Ziemia is December 15, 2017.
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Thursday Spotlight: Giordanne Salley, The Summer Sun

Giordanne in her Greenpoint studio. Photo: Ian Hartsoe

Giordanne Salley spends a few weeks each summer out of the city. She retreats to the rocky coastlines and glacier-carved forests of our Northeastern-most state. There, she quickly assumes the circadian rhythms of nature, in part, encouraged by a lack of cell phone reception. Swimming, kayaking, and hiking, Salley studies the sun and changing colors of the day. Upon returning to New York she begins painting these summer experiences. Nude figures running freely among raw pebbly beaches, silky waters, and deciduous brush; Giordanne has managed to transport the spirit of the spruce islands to her Greenpoint studio.

Greenpointers: When were you first exposed to art as a child?

Giordanne Salley: I am originally from Southwest Ohio. My parents took us to the Dayton Art Institute on the weekends which had an interesting collection of art for a city of its size. We would picnic in the gardens and spend the rest of the afternoon exploring the various exhibits. I remember once looking at a Josef Albers’ red square painting and wondering why it was in a museum. I find it ironic now because I’ve taken color theory classes and really appreciate his work. Being homeschooled until the sixth grade, my parents always encouraged me to take on any form of self-expression I wanted. I was constantly being supplied with paper and drawing tools. I could organize my time differently than kids in school, and was able to spend a lot of time exploring nature. This remains very important to me and my paintings.
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Thursday Spotlight: Kate McQuillen, Meeting Her on the Astral Plane

Kate McQuillen greets me from the driveway of her charming and noteworthy Greenpoint house, directing me into the garage where her fluorescent printmaking studio is set up. Her companion Kassie, a sterling herding dog, is attentively surveying the area and happy to have another to look after. The inherent New York City ankle weights have already slipped away, leaving us to speak candidly in Kate’s kaleidoscopic space. While we talk, the garage door remains open and Kate periodically greets her neighbors passing by. I feel as if I have crossed a portal into an alternate dimension, or at least am no longer in the city.

Kate and her dog Kassie in her Greenpoint garage studio. Photo: Ian Hartsoe

Greenpointers: When were you first exposed to art as a child?

Kate McQuillen: My dad studied painting in graduate school, and during my childhood worked as a graphic designer in Boston. We always had an art studio in the house, which allowed me the opportunity to experiment with literal cut and paste tools like transfer paper. I’d imagine this is what initially pushed me into printmaking. I think of printmaking processes as the perfect place between design tools and fine art tools. I always had a lot of interest in drawing, but was never super into oil paint. I think my new work is taking on a form reminiscent of paintings, but I can still use the printmaking tools I’ve grown to know and love. Continue reading

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Thursday Spotlight: Aaron Zulpo, Painter of Narratives

Aaron Zulpo amongst paints in his Greenpoint studio. Photo: Ian Hartsoe

Aaron Zulpo‘s Greenpoint studio is a multitude of raw canvas hung on paint-stained walls. In the middle stands a table topped with piles of paint, smelling rich of linseed oil. His work looks immediately relatable, a style he later describes to me as “Cartoon Realism”. The divisions of brightly colored vignettes create elaborate narratives, enticing the viewer to engage further.

GP: When were you first exposed to art as a child? Are there visual influences from your childhood that currently influence your work?

Aaron Zulpo: I grew up in the Midwest and wasn’t exposed to a lot of art until high school. I was always a doodler, however, replicating imagery from comic books and a duplicated bronze Remington cowboy statue we had in the house. As far as visual references from my childhood go— action movies, bright colors, cowboys robbing a train—these are all things I liked as a child and I still like now. I took art classes in high school and really loved a specific sculpture class. After that I decided to apply to art school. This was the first time where all my classes related to one another. I could be in 2D Design in the morning, and learning about the same concepts and principles in afternoon art history. It was very exciting. Continue reading

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Open Call For Greenpoint Artists & Musicians at One Bedford

One Bedford
photo via One Bedford

One Bedford (1 Bedford Ave, formerly Nights & Weekends), is putting out an open call for local artists and musicians to team up on Tuesday nights. Every Tuesday night from 7-9pm they will be highlighting a local artist or musician, and they’re calling it the Greenpoint Artist Series. So if you are interested in showing off your craft, painting in public, playing an instrument or sounding your most beautiful voice, they need you. Email [email protected] for more info.

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Peacocking With This Magical Mask Making Workshop 8/10


WHAT: Magical Folding Mask Workshop
WHEN: Thursday August 10, 6:30–10:30pm
WHERE: Chameleon Club Studio
| 622 Broadway
COST: $95, includes all materials and participants will leave with their own folding mask ready for portable partying. Tickets are available on Chameleon Club’s site. Sign up by e-mailing: [email protected]

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Greenpoint Power Couple Takes the Ultimate Cross Country Road Trip


Paola Baldion and Jamie Toll.

A lot of people drive cross country from New York to California, but few people do it with a larger social and political message as a goal. On August 8th, Australian-born local street artist and Northern Territory owner Jamie Toll and his wife—Colombian immigrant, actress and filmmaker Paola Baldion—will do just that, while making a completely unique trip. For two months they will travel across America providing free DNA tests to total strangers, and then on the return leg of their journey they’ll interview the recipients of the kits about their DNA discoveries for a documentary film the couple plan to make while on the road.

Jamie and Paola conceived the trip after the success of Paola’s You Tube video, which went viral garnering 30 million hits! They will partner up with the genetic research company myHeritage DNA to shoot the documentary project I Am Migration.

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Thursday Spotlight: Chris Moran’s Romantic Portraits of Greenpoint(ers)

Chelsea March, by Chris Moran
Chelsea March, by Chris Moran

Greenpoint-based photographer Chris Moran shot his latest project at the launch party for Greenpoint Open Studios, using a black and white film and a double exposure technique to combine portraits with scenes around the neighborhood. Having been an action and sports photographer in California for a decade, he relocated to our ‘hood about a year ago.

Chris says: “I just wanted to trip people out that these crazy looking images were all made in a 35mm film camera with one lens. No post production. I feel like today people are so quick to edit and alter their images, it’s nice just to do it all in camera for once. For example, when someone throws a filter on their photo, do they know where the word filter comes from? Buying a physical filter, putting it on your lens, and then creating images, feels so much more real, and looks better too. People have been making double exposures for years, and there’s more then a few ways to do it. While all my commercial work is digital, it’s nice to keep some of my personal work tangible.Continue reading

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Thursday Spotlight: Colleen Blackard Travels At Lightspeed Into Infinity with Ballpoint Pen

Colleen Blackard in her Greenpoint studio

In Colleen Blackard’s universe, everything is illuminated. Her photorealistic artwork is a deep dive into personal experiences—real or imagined—that transcend time and space. Through detailed monochrome imagery created with ballpoint pen, marker, ink wash, or monotype, we get a glimpse into her world, which moves between feelings of pain, abandonment, renewal, and reconnection.

Fate (2014, Archival marker on paper, 48″ x 72″)

“The way I draw is to follow the light… to see where it leads,” she says. For years, Colleen spent long meditative hours drawing circles to capture the inner glow of her subjects and to reveal the light within. “Circles are so expansive. They create more space than you’d expect from a tiny little region.” In a close-up view of her work, you see meticulous coils of tightly drawn lines that make up the resultant photorealistic images. While they range from scenes in nature to portraits, recurring motifs of the sky, water, and a decaying barn manifest an undercurrent of emotions derived from her earliest memory of pain. Continue reading

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Booze, Art & Free Nips: Drinkin’ n’ Drawin’ All Over North Brooklyn

This Place Drink n Draw

Dobbin St Rooftop | 64 Dobbin St | subscribe to ThisPlace emails for schedule
Event popup ThisPlace regularly hosts drink n draws all over North Brooklyn. The next one is coming up on June 26 at Dobbin St, from 630-9pm. Tickets are $25 and include rosé, but you should bring your own drawing supplies. Since this is happening at sunset, you can bet the light will be magical so you might want to bring colored pencils or pastels. Join the ThisPlace mailing list to stay up-to-date on future drink n draws and other fun events.

Greenpoint Figure Drawing. Photo: Julia Moak
Greenpoint Figure Drawing. Photo: Julia Moak

Greenpoint Figure Drawing | 67 West St #303 (Big Object Studio) | Fridays at 7pm
Greenpoint Figure Drawing is a Meetup group that hosts weekly drink n draws, for $15. “In each 3-hr session, we will draw from a live model, beginning with quick poses to warm up, and then gradually extend the pose length to a final 1 hour pose to finish the evening.” The sessions are moderated by two stop motion visual artists. BYOB and BYO art supplies. *Note, the next meetup is Friday June 23rd; there won’t be a drink n draw tonight. Continue reading

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