Creative minds make connections that most of us never make, and this is never truer than with sculptor Susan Pullman Brooks’ show, Sacred Luminosity, which opens this Friday, April 14th at Gallery AWA (61 Greenpoint Ave. #306). The exhibit explores the connections between the goddesses of Vedic Pantheon of India and Celtic deities. Brooks has a keen artistic vision, creating art that reflect the cycles of life and death and in forgotten remnants of culture. Brooks is extremely familiar with Indian culture not only because she has spent a lot of time in India, but also because her husband Douglas Brooks, a professor of religion at Rochester University, has devoted decades of his life studying Sanskrit and the Hindu faith. Continue reading
Frederic Remington is perhaps the most iconic artist of the American West, and his bronze sculptures capture the essence of the American frontier. Remington’s figures of cowboys and horses seem to be light years from Green Street here in Greenpoint, but his most iconic sculptures were cast locally at the Roman Bronze Works and could never have been created without the help of Greenpointer Riccardo Bertelli. Continue reading
This weekend, local gallery concept/artist organization SHIM (289 Meserole St.) is hosting the second edition of Permission Slip, an experimental open call festival of live art performances, interactions, exhibitions, and collaborations.
Details via Facebook:
48 CONSECUTIVE HOURS // Friday Feb 24th @6pm – Sunday Feb 26th @6pm
@ SHIM | 289 Meserole Street
Curators Wilson Duggan and Jackie Cantwell will administer the gallery 24 hours per day, accepting proposals from the public to participate in the weekend’s schedule of activities.
TO PARTICIPATE: Simply fill out a permission slip (email [email protected]) with your proposal for an art performance, activity, micro-exhibition, etc, and bring it to the gallery on Friday evening (2/24) to receive our permission.
Your proposal can literally be anything within the limits of reason, legality, and the safety of the space and participants. Once granted permission, we will schedule a time for you on Friday, Saturday, or Sunday and provide you with whatever additional support we can to help you realize your project.
Alison Owen is a Greenpoint-based artist and art teacher whose work is committed to no set medium, but rather to the notion of “responsible consumption.” Her multimedia pieces are highly interactive with their environments, using the neglected materials of an art gallery space to demonstrate how what is no longer valued can be transformed into something beautiful. Alison scavenges for defunct installation tools, old hardware, scraps of forgotten artworks—and even collected dust—to create her innovative and conceptual exhibitions.
In recent years, Alison has masterfully picked up ceramics, which unlike her installations requires a more defined use of media and more prescriptive processes. In addition to her residency at the Wave Hill Estate in the Bronx, she will also be having a spring exhibition at Greenpoint Hill (100 Freeman St.) right in our neighborhood that kicks off on March 30. In the meantime, preview Alison’s diverse works on her website.
GP: How will your upcoming show at Greenpoint Hill be different than past shows you’ve had, and how will it be similar?
Alison: I tend to work site-specifically, responding to the architecture, the history, or the current use of the spaces where I show. I gather up materials from the site or from people connected to the site, and use those in the space. At this point, I have a large collection of materials that have been donated or scavenged from other artists over the years, and I have been using these materials to make collages and paintings and small sculptures that I’ll show at Greenpoint Hill. This will be less of a site-specific installation and more a show of individual works, which is kind of new for me. Continue reading
Heather Garland has been making art in Greenpoint since 2005, and as an artist she’s evolved alongside the neighborhood’s own transformation. Garland, a graduate of Pratt Institute, is a skilled and talented painter who blends her classic art background with the world of found objects.
Garland is fascinated by the functionality of objects and how their value changes when you consider their worth solely as art pieces. She mentioned an example: the bowl you place your cereal in literally feeds you, while an artistic bowl you might hang on a wall will feed your soul. Initially she started exploring painting on plates as a way to give herself a break from doing larger scale paintings.
Garland’s first plates were done quite fast, as a way to get a quick hit of satisfaction as she pursued pleasure through making artwork. Now her plates tend to be more intricate. Following this pursuit of pleasure coupled with her intellect, Garland assigns these plates a deeper value than their inherent functional one.
The titles of her works add a layer of meaning to the plates—like Abortion, a flower-like, fringe-infused plate artwork that is a part of the Nasty Woman exhibition at Knockdown Center (52-19 Flushing Ave.), curated by Garland’s friend, Roxanne Jackson.
Greenpoint illustrator Jen Keenan’s work is both cheerful and comforting in its handcrafted imperfection. Inspired by vintage children’s books, animals, our awesome neighborhood, and more recently our country’s political climate, her work brings you into a world that radiates strength and positivity. Proceeds from prints on her site will be donated to help fund the NYC chapter of the post-inaugural Women’s March on Washington next weekend January 21st.
GP: What do you love most about Greenpoint?
Jen: “I really love the little historic blocks in Greenpoint. A lot of the neighbors sit out on their stoops in the summer, and we all stop and chat while the dogs briefly play. Every August there is a Calyer Street block party organized by some of the neighbors who grew up along Calyer. Everyone sets out tents and food and pitches in money for a food truck and waterslide /bouncy gym for the kids. It’s nice to have a bit of that quaint charm and friendly neighbor vibe. It makes you forget you live in such a big city.” Continue reading
A talented local artist and designer, Monte Antrim, is displaying his unique images at South 4th Bar & Cafe (90 South 4th St.) in a show titled “Last World Problems.” The installation, which will open on Saturday, December 10th and run through January 5th, differs from other shows he has done in the past. Last World Problems will feature small affordable silkscreens, perfect for holiday gifts, and also several collage and acrylic pieces on plywood panels.
A talented sketch artist with unique designs, Antrim has gained a considerable local reputation for his local scenes, many of which feature gritty, rapidly disappearing cityscapes. His impressive sketches include a wide variety of other scenes, yet each captures something unique. Continue reading
Williamsburg art gallery/studio/performance space The Hollows (151 Bedford Ave.) is restructuring its townhouse space so that each of the 5 floors of the building will be designated for a different discipline/medium. As a result, they’re clearing out their basement storage and turning it into a music studio.
The basement clean-out art sale is happening this Friday, November 25th (through November 28) at Lower East Side gallery Chinatown Soup (16B Orchard Street). Details after the jump, and read about their call for artists and musicians in residence! Continue reading
Questroyal Gallery at 903 Park Avenue in Manhattan will host an important retrospective of great Greenpoint painter Ralph Blakelock from November 11th through December 10th. The show is titled “Ralph Albert Blakelock: The Great Mad Genius Returns” and will feature many of his works. Continue reading
By way of São Paulo, Julia Brandao has come to grace New York with knowledge of the finest cultural relics and wisdom from what seems like the world’s edges. As a textile and sculpture artist having traveled all over the world (though she calls Brazil her home), Julia’s love for collage canvases a mix of experiences and thoughts from the people and places she encounters. Her work largely prefacing the influence of memory, she glues together the thoughtful impressions that evoke feelings of familiarity through colors, shapes, and textures.