Passion for coziness and a reverence for Dolly Parton sound like the perfect combo in an artist, and Caroline Z. Hurley boasts both of those things. Hurley was originally trained in painting at RISD, but her Greenpoint-based eponymous label (with a shop at 155 Freeman Street) produces textiles for the home using age-old, hands-on processes like block-printing, quilting, and weaving. Greenpointers had the pleasure of catching up with Caroline and hearing more about her artistic process, and how she managed to turn an “accident” into a full-fledged, sustainable manufacturing business. Continue reading
From Rooftop Garden to McGolrick Park — Join Historian Geoff Cobb and Artist Martynka Wawrzyniak for Local Lore, Nature, and Art on a Guided Walking Tour! (Sat, 10/7)
Local artist Martynka Wawrzyniak‘s site-specific sculpture, Ziemia, will take the form of a ceramic sphere atop a meadow garden in McGolrick Park, and she’s having the local community help create it. Ziemia, which means Earth in Polish, will celebrate our neighborhood’s many cultures, become a locus for community programming, and carry personal significance for the participants who help shape it.
To underscore the community celebration represented in Martynka’s work, Greenpoint’s (and Greenpointers’) local historian and author, Geoff Cobb, will lead guests on a walking tour Greenpoint from the Kingsland Wildflowers green roof to the Ziemia site in McGolrick Park on Saturday, October 1st. A $15 donation to RSVP includes a two hour guided tour, with talks on some fun local lore, art, and Greenpoint’s natural habitat, and the proceeds will go toward the production of the art piece.
McGolrick Sculpture Installation & Walking Tour With Greenpoint Historian
When: Saturday, September 30, 3pm – 5pm
Where: Kingsland Wildflowers Green Roof | 520 Kingsland Avenue
Who: Greenpoint artist, Martynka Wawrzyniak & Greenpoint historian, Geoff Cobb
$15 donation (proceeds go to the Ziemia art project), RSVP
Giordanne Salley spends a few weeks each summer out of the city. She retreats to the rocky coastlines and glacier-carved forests of our Northeastern-most state. There, she quickly assumes the circadian rhythms of nature, in part, encouraged by a lack of cell phone reception. Swimming, kayaking, and hiking, Salley studies the sun and changing colors of the day. Upon returning to New York she begins painting these summer experiences. Nude figures running freely among raw pebbly beaches, silky waters, and deciduous brush; Giordanne has managed to transport the spirit of the spruce islands to her Greenpoint studio.
Greenpointers: When were you first exposed to art as a child?
Giordanne Salley: I am originally from Southwest Ohio. My parents took us to the Dayton Art Institute on the weekends which had an interesting collection of art for a city of its size. We would picnic in the gardens and spend the rest of the afternoon exploring the various exhibits. I remember once looking at a Josef Albers’ red square painting and wondering why it was in a museum. I find it ironic now because I’ve taken color theory classes and really appreciate his work. Being homeschooled until the sixth grade, my parents always encouraged me to take on any form of self-expression I wanted. I was constantly being supplied with paper and drawing tools. I could organize my time differently than kids in school, and was able to spend a lot of time exploring nature. This remains very important to me and my paintings.
Kate McQuillen greets me from the driveway of her charming and noteworthy Greenpoint house, directing me into the garage where her fluorescent printmaking studio is set up. Her companion Kassie, a sterling herding dog, is attentively surveying the area and happy to have another to look after. The inherent New York City ankle weights have already slipped away, leaving us to speak candidly in Kate’s kaleidoscopic space. While we talk, the garage door remains open and Kate periodically greets her neighbors passing by. I feel as if I have crossed a portal into an alternate dimension, or at least am no longer in the city.
Greenpointers: When were you first exposed to art as a child?
Kate McQuillen: My dad studied painting in graduate school, and during my childhood worked as a graphic designer in Boston. We always had an art studio in the house, which allowed me the opportunity to experiment with literal cut and paste tools like transfer paper. I’d imagine this is what initially pushed me into printmaking. I think of printmaking processes as the perfect place between design tools and fine art tools. I always had a lot of interest in drawing, but was never super into oil paint. I think my new work is taking on a form reminiscent of paintings, but I can still use the printmaking tools I’ve grown to know and love. Continue reading
Aaron Zulpo‘s Greenpoint studio is a multitude of raw canvas hung on paint-stained walls. In the middle stands a table topped with piles of paint, smelling rich of linseed oil. His work looks immediately relatable, a style he later describes to me as “Cartoon Realism”. The divisions of brightly colored vignettes create elaborate narratives, enticing the viewer to engage further.
GP: When were you first exposed to art as a child? Are there visual influences from your childhood that currently influence your work?
Aaron Zulpo: I grew up in the Midwest and wasn’t exposed to a lot of art until high school. I was always a doodler, however, replicating imagery from comic books and a duplicated bronze Remington cowboy statue we had in the house. As far as visual references from my childhood go— action movies, bright colors, cowboys robbing a train—these are all things I liked as a child and I still like now. I took art classes in high school and really loved a specific sculpture class. After that I decided to apply to art school. This was the first time where all my classes related to one another. I could be in 2D Design in the morning, and learning about the same concepts and principles in afternoon art history. It was very exciting. Continue reading
One Bedford (1 Bedford Ave, formerly Nights & Weekends), is putting out an open call for local artists and musicians to team up on Tuesday nights. Every Tuesday night from 7-9pm they will be highlighting a local artist or musician, and they’re calling it the Greenpoint Artist Series. So if you are interested in showing off your craft, painting in public, playing an instrument or sounding your most beautiful voice, they need you. Email [email protected]
WHAT: Magical Folding Mask Workshop
WHEN: Thursday August 10, 6:30–10:30pm
WHERE: Chameleon Club Studio | 622 Broadway
COST: $95, includes all materials and participants will leave with their own folding mask ready for portable partying. Tickets are available on Chameleon Club’s site. Sign up by e-mailing: [email protected]
A lot of people drive cross country from New York to California, but few people do it with a larger social and political message as a goal. On August 8th, Australian-born local street artist and Northern Territory owner Jamie Toll and his wife—Colombian immigrant, actress and filmmaker Paola Baldion—will do just that, while making a completely unique trip. For two months they will travel across America providing free DNA tests to total strangers, and then on the return leg of their journey they’ll interview the recipients of the kits about their DNA discoveries for a documentary film the couple plan to make while on the road.
Jamie and Paola conceived the trip after the success of Paola’s You Tube video, which went viral garnering 30 million hits! They will partner up with the genetic research company myHeritage DNA to shoot the documentary project I Am Migration.
Greenpoint-based photographer Chris Moran shot his latest project at the launch party for Greenpoint Open Studios, using a black and white film and a double exposure technique to combine portraits with scenes around the neighborhood. Having been an action and sports photographer in California for a decade, he relocated to our ‘hood about a year ago.
Chris says: “I just wanted to trip people out that these crazy looking images were all made in a 35mm film camera with one lens. No post production. I feel like today people are so quick to edit and alter their images, it’s nice just to do it all in camera for once. For example, when someone throws a filter on their photo, do they know where the word filter comes from? Buying a physical filter, putting it on your lens, and then creating images, feels so much more real, and looks better too. People have been making double exposures for years, and there’s more then a few ways to do it. While all my commercial work is digital, it’s nice to keep some of my personal work tangible.” Continue reading