Your weekend of art starts tonight, and North Brooklyn’s got it—historical films, multimedia protest art, ephemeral artwork, watercolors of Greenpoint and feminist fashions. Check it.
What is the Model City? UnionDocs | 322 Union Ave Thursday Mar 15, 7:30pm More info, Free for members, $10 non-members
UnionDocs will be screening the never before seen film from 1971 Between The Word and The Deed, which was commissioned by the city to investigate the experience of community and advocacy planning for the Model Cities effort. The film’s director will be present for a followup discussion along with architect and historian Susanne Schindler, and Rebecca Amato from NYU’s Urban Democracy Lab. Continue reading →
Ok, y’all… how we doing with those New Year’s resolutions? It’s been about three weeks, you still with me? Because I know one of those resolutions was to “see more art” or “soak up the culture” or “take full advantage of this great city,” something like that?
“Don’t be silly, Andy,” you say. “I love art, I see art all the time!”
I double-dog dare you to hit two of these six galleries this weekend.
Microscope is very pleased to present Break The Sky, the first solo exhibition at the gallery by Jeanne Liotta, whose works we have previously shown in “Triple Blind” (2013), “Slide Slide Slide” (2014), and “Dreamlands: Expanded” (2016-17), a series of expanded cinema events presented in collaboration with the Whitney Museum of American Art as part of the exhibition “Dreamlands: Immersive Cinema & Art 1905-2016”.
A recurring theme of Liotta’s practice – which spans the mediums of moving image, photography, collage, installation, painting, drawing and performance – is a personal and poetic interest in the intersection of art and science and the tools and technology thereof.
Greenpoint Hill’s newest show features works from all-female artists ranging from hand-painted digital prints to ceramics to paintings. “The works share an emphasis on materiality. Just as Elizabeth Murray’s painting, an oil painting on a rectangle, was pushed to 3-d objecthood by rotating the canvas about 45 degrees, the work in this exhibition does not simply exist as 2-dimensional image. In Maria Caladra’s work, this shift occurs more subtly, through the mark-making. The work in Parting and Together asks for a more intimate viewing experience.”Continue reading →