The Park Church Co-Op was dimly lit, the stage awash with red and blue light. Meditative electronic new-age music played as the image of Jesus on the crucifix centered on the back wall looked over the scene. It may not seem like the most likely venue for a night of experimental jazz, but Pastor Amy Kienzle remarked that this event was part of the church’s larger event series that supports community art. And with Wawrzyniak being such an enthusiastic member of the church she felt it was important to support. She added that the church “believes in art and it being spiritually beneficial.” Continue reading →
In the seven years since its creation by founder and publisher Mindy Abovitz Monk, Greenpoint-based lady drummer publication Tom Tom magazine has gone from being a simple music blog to a media company consisting of a quarterly print issue, digital issue, website and creative collaborations and events with contributors from around the world. In their sun-drenched office in Greenpoint’s historic Pencil Factory, a metallic drum kit takes center stage, along with an oldschool ghetto blaster, brightly colored, hand-painted drumsticks (created by Mindy’s artist mother) and usually at least one office dog.
At a time when being a female drummer in some parts of the world can still lead to death threats or imprisonment, I sat down with Abovitz, her lead designer Marisa Kurk (featured on the cover of the magazine’s current Nepotism issue) and Pippa Kelmenson who runs the Tom Tom office to chat about music, their magazine serving as a metaphor for anyone wanting to do anything they’re told they can’t do and what being based in Greenpoint brings to their work.
Greenpointers: How did Tom Tom start?
Mindy Abovitz Monk: In 2009, I was working at East Village Radio in the city and I had already been a drummer in New York for about seven years. I had volunteered at Rock Camp for Girls and I also experienced Riot grrrl as it was happening as a teenager and that had brought me to music in the first place. Around 2009 Riot grrrl was seeing a resurgence. People my age and people younger than me were becoming inspired by a movement that had already inspired me. It gave me anxiety thinking that possibly nothing had changed since I was a teenager in the effort to encourage girls and women to be the rock stars that we are.Continue reading →
Lights blaze and flash. Smoke rises. “We are Madame Gandhi and we need your attention for the next half hour so we can calm your mind.” Kiran Gandhi’s District Drum Company light-up drum pulses as she and Alexia Riner deliver a kinetic and elevating performance during Madame Gandhi’s debut at (le) Poisson Rouge (LPR) last Tuesday night.
Over the last week, Gandhi has played for Sofar Sounds and at Tom Tom Magazine’sOral History of Female Drummers event at the Brooklyn Museum, where she also spoke. Tonight, Monday, March 7, Madame Gandhi performs at the Knitting Factory (361 Metropolitan Avenue) at 7:30pm ($10 advance / $12 doors) as part of the “third annual Oxfam Jam Benefit Concert raising funds to support Oxfam America’s mission for creating solutions to poverty, hunger, and injustice.” This performance will include Madame Gandhi’s third member, DJ Ayes Cold (Ayesha Chugh).