Lydia Lunch performs, speaking about misogyny and today’s pessimistic world. Photo: Angelica Hill
Last Thursday, artistMartynka Wawrzyniak hosted “A Night of Experimental Jazz & Lydia Lunch” at the Park Church Co-Op (129 Russell Street) to support her McGolrick Park community art installation, Ziemia. Ziemia, when finished, will consist of a large ceramic orb made from soil from across the globe and placed in a carefully cultivated meadow in McGolrick Park, adjacent to Russell Street between Nassau Ave and Driggs Ave.
The Park Church Co-Op was dimly lit, the stage awash with red and blue light. Meditative electronic new-age music played as the image of Jesus on the crucifix centered on the back wall looked over the scene. It may not seem like the most likely venue for a night of experimental jazz, but Pastor Amy Kienzle remarked that this event was part of the church’s larger event series that supports community art. And with Wawrzyniak being such an enthusiastic member of the church she felt it was important to support. She added that the church “believes in art and it being spiritually beneficial.” Continue reading →
Curt James (foreground) and Josh Krebs in “Cymbeline” at The Brick
Cymbeline is tonally ambiguous, dramaturgically elusive. This is no weakness of Shakespeare’s so-called tragedy, but it stands out in being one that ends in reunions and discoveries instead of wars and death while featuring beheaded characters and disguised lovers. It’s no wonder, then, that critics have long debated whether Cymbeline is drama, romance, comedy, or something in between. Perhaps Shakespeare was pushing genres out and contemporary storytelling, with its mix of laughter and catharsis, forward. Regardless of category, Stay Awake! Theatre’s production of Cymbeline at The Brick (575 Metropolitan Ave.) in Williamsburg is firm in its footing thanks to its minimalist approach and rather strong performances. Continue reading →
