We all know the Twelve Apostles’ reactions to Jesus’ resurrection. From joyous celebration to Thomas the Doubter’s human skepticism, you might say their responses were the original OMG. But it was women who first encountered Jesus outside the tomb, and men considered their reports “ides tales.” Greenpoint’s Park Church Co-Op, the liberal Lutheran church focused on radical love and inclusion, is reclaiming these female voices, defiantly (and hysterically) calling men’s history of outshining female voices “mansplaining the resurrection.”
Citing the #metoo movement as an opportunity to empower women’s voices that are often overshadowed in the Bible, Park Church Co-Op (129 Russell Street) will commemorate this Holy Week — the day’s leading up to Jesus’ resurrection — by bringing together artists from varying cultural and religious backgrounds to discuss themes of justice and gender. Curated by Concetta Abbate and Pastor Amy Kienzle (one of Brooklyn Magazine‘s Top 100 Influencers), this Friday’s exhibit opening, from 6 to 10 PM, jumpstarts a week of events that blend art, religion, and activism. The exhibition will continue through April 1, Easter Sunday.
As with any wholesome and hip church, all are welcome.
Lights blaze and flash. Smoke rises. “We are Madame Gandhi and we need your attention for the next half hour so we can calm your mind.” Kiran Gandhi’s District Drum Company light-up drum pulses as she and Alexia Riner deliver a kinetic and elevating performance during Madame Gandhi’s debut at (le) Poisson Rouge (LPR) last Tuesday night.
Over the last week, Gandhi has played for Sofar Sounds and at Tom Tom Magazine’sOral History of Female Drummers event at the Brooklyn Museum, where she also spoke. Tonight, Monday, March 7, Madame Gandhi performs at the Knitting Factory (361 Metropolitan Avenue) at 7:30pm ($10 advance / $12 doors) as part of the “third annual Oxfam Jam Benefit Concert raising funds to support Oxfam America’s mission for creating solutions to poverty, hunger, and injustice.” This performance will include Madame Gandhi’s third member, DJ Ayes Cold (Ayesha Chugh).
One of the most thought-provoking art shows I’ve seen this season is Wangechi Mutu’s “A Fantastic Journey,” housed in the phenomenal Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Sunday March 9th, is the last day to see it, so get moving!
Mutu’s swarming, contorted collages create alien female forms from found images, magazine cutouts, and paint. Mutu was born in Nairobi and her concern with transnationalism has a strong presence in her collages, as does her view of American culture and mass consumerism from a place of outsiderness. There is a definite ode to African dance in the work, fused with American gender-based images like polished lips from fashion magazines, body parts from porn stills, and even war photographs. The result are post-apocalyptic portraits of mutilation, consumerism, rebirth, and womanhood that are shocking and fascinating to see up close. Continue reading →