We had so much fun last year at Williamsburg Walks, and are psyched about this year’s festivities. On June 11th and 12th, Bedford Avenue between Metropolitan and N 12th Street will turn into an artsy public park. Temporary wall units, interactive installations and sculptures will be staggered throughout the blocks. In addition to the installations there will be a variety of activities; last year there were a ton of vendors selling their wares, food and a skateboarding demo.
Northside Art is seeking proposals for: 1. Live painting/graffiti/collage 2. Interactive installations/workshops 3. Sculpture/stand alone installations 4. Performance artists
On a recent Friday night I visited two art shows that both opened on Greenpoint Ave. Both artists, Maj Anya DeBear and Roxanne Palmer mentioned that honesty was one driving force behind their recent artworks. While being true to oneself creatively in a hard to please art world is difficult to attain, the resulting satisfaction and confidence that came through made for two stand-out openings on either side of McGuinness Blvd. Continue reading →
Meet – Brooklyn Collage Collective, a group of 14 local collage artists who utilize the cut and paste medium to convey their own aesthetic. With a wide range of approaches and techniques from paintings on wood to creating a gigantic collage building comprised of smaller buildings.
“Episode 1” was hosted at Brooklyn Fire Proof in Bushwick. They eventually ran out of mac n’ cheese, but the event wasn’t short on interesting artwork and great vibes. Continue reading →
One of the most thought-provoking art shows I’ve seen this season is Wangechi Mutu’s “A Fantastic Journey,” housed in the phenomenal Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Sunday March 9th, is the last day to see it, so get moving!
Mutu’s swarming, contorted collages create alien female forms from found images, magazine cutouts, and paint. Mutu was born in Nairobi and her concern with transnationalism has a strong presence in her collages, as does her view of American culture and mass consumerism from a place of outsiderness. There is a definite ode to African dance in the work, fused with American gender-based images like polished lips from fashion magazines, body parts from porn stills, and even war photographs. The result are post-apocalyptic portraits of mutilation, consumerism, rebirth, and womanhood that are shocking and fascinating to see up close. Continue reading →