The press release for Greenpoint creative Alison Clancy’s new performance reads “post-punk mystic meets Wagner in ritualistic dance” — tickle me intrigued! A dancer, singer, and all-around-movement artist (and educator), Alison has worked in institutions big and small, from the Metropolitan Opera and Guggenheim Museum to dive bars and on Reality TV. And while her modern methods may seem to clash with the classical music she performs to, they are perhaps more aligned than one may think: Wagner, and his contemporaries, were the envelope pushers of their day; their charged, erotic, and emotional scores demanded more of their audiences, and performers, than what may have been the norm. As such, Clancy’s dance honors and uplifts these heightened states, creating a unified piece of singular performance. She recently made a prestigious solo debut in the premiere of the Met’s new production of Richard Wagner’s Der Fliegende Holländer (The Flying Dutchman) Here, she speaks about this new show, which though sadly cancelled due to the coronavirus will also find a home on screens.
Starting March 1st, Trash Bar will be no more. “We can’t afford to stay in Williamsburg,” the bar’s booking agent, Walter Stack, has said. “Our rent is going to quadruple and that’s out the question.” One of the last bands to play at the legendary venue this month is extraordinary duo Loving You, comprised of composer-cellist Chris Lancaster and dancer-vocalist Alison Clancy. Greenpointers caught up with both in their Williamsburg apartment this weekend as they fried bacon for lunch… Continue reading