^ Paradise Bought @ Triple Canopy (155 Freeman St) 7pm, $5, A reading and discussion of the mystery genre, the difficulties of ghostwriting (and of employing ghostwriters), the free rein of capital, the concept of xenospace, and more, More info
♦ Another F@*#ing Group Show @ Tender Trap (66 Greenpoint Ave) 8pm, FREE, Art curated by Russell Murphy and Andrew H. Shirley, plus music from Faces of Weed / Unstoppable Death Machines / Gowanus Mutant Kommandos, RSVP
♫ RBMA Presents Raw Sound Transgressions @ Output (74 Wythe Ave) 10pm, $15, With Merzbow / Genesis BREYER P-ORRIDGE + Aaron Dilloway / Pharmakon / Prurient / Ron Morelli / Marshstepper / Uniform, Buy tix
Haunted Canoe Rides, Death By Halloween, Cartoon Carnival – What’s Happening, Greenpoint? (10/29–11/04)
“Personal Truths” Opening Reception @ Picture Farm (338 Wythe Ave) THURSDAY 10/30, 6-10pm, Is there such a thing as an objective shot? Or is all photography fiction – a carefully framed version of the Truth? Personal Truths : Photo Stories That Help Us Find Ourselves, previously shown at 71A Gallery, in London, features the photographers Jonathan Mehring, Krisanne Johnson, Matt Eich, Guy Martin, Harold Feinstein, Shannon Jensen, Jason Andrew, Andrew McConnell
Halloween Bash NEW VENUE! @ A.K.A. Bar (759 Grand St) Friday, October 31st , 10pm, $10–$20, Buy tix
For two nights, party with no rules. No club dress code. No small, packed space. Just GOOD vibes (and even better music). Costume contest, music from DJ X5Rob and DJ Danny, plus half price on selected draft beers from 9–10pm. Get your tickets now!
* Bon Voyage Party @ Sunview Luncheonette (221 Nassau Ave) 7pm, FREE, An evening to honor Colette Lumiére and experience a mise-en-sceéne inspired by her incomparable installations, More info
* Obscura Society Presents New York City Bodysnatchers @ Acme Studio (63 North 3rd) 8pm, $20, Author Bess Lovejoy discusses the city’s early medical industry, cadavers, and a controversial past, Buy tix
♫ Ho_sacalypse @ The Ho_se (28 Lawton St) 8pm, FREE, With O’ Great North / Kneeling Bus / BRAT PIT / Florida / lots more, RSVP
Triple Canopy has for the past five years worked to present compelling work online in ways that make innovative use of the Web.
For the fourth annual call for proposals Triple Canopy wishes to intensify the work in a variety of offline forms of print publication and public programming. They are interested in forging connections between books, manuscripts, lectures, performances, exhibitions, among other forms, and our online publishing practice.
They are inviting artists and writers to submit proposals for projects that may not find their primary realization on the Web, but which may ultimately be published in some form in Triple Canopy’s online magazine:
- Print broadsheet or pamphlet
- Print poster
- Book or e-book
- Public lecture or seminar
- Exhibition or installation
Commission recipients receive:
- Three to six months of artistic, editorial, and technical support
- $300 honorarium
- Opportunity for inclusion in the annual print publication, Invalid Format: An Anthology of Triple Canopy
- Opportunity to use Triple Canopy’s space at 155 Freeman for a performance or other public event
- Coordination and production of any print publication or live event
- Archiving of materials and long-term maintenance of any online version of the project by technical staff
I have friends who live on Freeman Street, and I’ve been there for all manner of reasons in the past, but last weekend was the first time I ever ventured there for an art-related event. The recently-opened arts and culture center Triple Canopy/Light Industry/Public School now occupies the new-looking building near the corner of Manhattan Avenue, and we raise our pint glasses in welcome to them.
The Per-Oskar Leu installation Crisis and Critique, presented by Triple Canopy, provides a space to reflect on these politically charged times. At Friday’s opening, participants reclined on white cushions inscribed with German-language words such as “not” and “your eye” (or “your ear”) in black type. On the screen we watched 30s and 40s German films edited around the theme of “the artist’s role in the political act”, according to Leu, while surrounded by a soundtrack he’d created of archival recordings and “audio-scuptural objects”. Draped leather hung from the ceiling by ropes and evoked a smell that could come from the leather coats worn in the films, or even Brecht’s leather jacket itself.
About showing at Triple Canopy, Leu says “To me, this is the most ideal place to show work. It’s a non-profit but still organized and professional like an established institution, and it still has an edge.”
Peter Russo, Editorial and Program Director for Triple Canopy, says “Triple Canopy is online magazine and arts organization. 155 Freeman is but one venue where we articulate the translation between projects, online, in print, and for live settings.”
You can contribute to Triple Canopy’s already highly successful Kickstarter campaign to cover lighting, construction, and “new (much more comfortable) seating for all screenings and performances.”
Read more about Per-Oskar Leu.