Born Again: Buildmore, Maletz & Wilkin Survive & Reinvent (Closing Reception 3/1)
When I previewed Calico Brooklyn’s show titled Born Again, featuring the works of Thomas Buildmore, Allison Maletz, and Charles Wilkin, it was easy to find the theme of reuse and reinvention in collage artist Wilkin’s enlarged pigment stained postcard prints and Buildmore’s drippy spraypaint floral still lifes, but Maletz’s sound installation called Utility Purgatory, outfitted with a telephone and surrounded by her watercolor mold paintings was harder to discern. That is, unless we consider the post-Mayan apocalyptic experience referenced by Curator Scott Chasse, which he described as “very similar to the pre-Mayan apocalypse, only we are able to celebrate the afterlife in real-time.”
When I asked Chasse what inspired Born Again he said, “I understand that appropriation and reuse of images, ideas, materials, etc is nothing new, but I think that looking at the works by these three artists as a form of “rebirth” gives a fresh, slightly different way of experiencing what is being presented.”
Sitting on a rotary phone on hold with the telephone company for so long that mold grows on the walls would leave anyone dreaming of the apocalypse, or at least the reinvention of customer service tactics.
Maletz explained that, “these services exist in theory to improve our lives, yet are rendered useless as all the various “please hold” messages loop endlessly, leaving the audience completely impotent.” But Maletz doesn’t take “hold” for an answer and presents this experience in a new way with “a new meaning, so that we might all step back as outsiders looking in, to observe and perhaps even enjoy this well known and frustrating experience.” She went on to say that she made “the Mold Paintings specifically to go with Utility Purgatory. At their core, both works are about what can grow out of neglect.” Continue reading
