I am intrigued and excited about tonight’s event at REVERSE (28 Frost St) which invites Greenpointers to be part of Matthew Matthew’s interactive installation.
Matthew Matthew invites you to a sound recording session this Friday, July 19 from 7-9 PM as part of STOMPS & CLAPS & SNAPS & POPS & SNIFFS & CLICKS & AHHHHH.
In the interactive spirit of the installation, Matthew Matthew will host a special recording session at the gallery to gather new sounds and images from the community in and around REVERSE. All are invited to come and produce sounds, which will then be edited and included as part of the musical instruments for the remainder of the exhibition.
The more witty the DIY aesthetic of Overturn Theatre’s interactive installation Waiting for Godot grew, the more charming the production became.
The venue Arts@Renaissance, a restored medical ward at the edge of the Greenpoint/Williamsburg border, has a history just creepy enough to be interesting without being frightening. The random foliage, trap doors and pop-up bartenders all added to the experience. Continue reading →
In order to enter Crest Hardware Store for a sneak peek of the art show, I hopped over a sunshine yellow threshold that was still wet from a fresh coat of paint. Retrospectively, this little leap was something of a magical moment – a transportation into an inspiring oasis that is cultivating both community and creativity in its surroundings. Continue reading →
I already told you about a great project called PaperJam at Figment NYC, which is happening this weekend on Governors Island. I want to introduce to you another amazing project called The Puzzle Project by an amazing Greenpointer named Tim Kelly.
The Puzzle Installation & Collaborative Project is a huge traveling group art exhibition that continues to grow. It originated at the Monmouth County Arts Council, but the project gained such popularity and momentum among art and community organizations, like our own Greenpoint YMCA, and schools throughout the US and abroad that it’s become Tim’s full-time gig, which is completely self-funded. When you see the scale of this project you will wonder what fuels him.
When you meet Tim you will quickly understand it is his genuine love for art and his passion for sharing that love that gives him the energy to manage this huge endeavor.
FIGMENT NYC is now accepting proposals for the following:
FIGMENT 2012 NYC Weekend
This year, FIGMENT NYC will take place during the weekend of June 9-10 on Governors Island in New York City. We are seeking proposals for FIGMENT Weekend projects. Projects can include but are not limited to: installations, performances, games, activities, workshops, multimedia, electronic art, music, social experiments, etc. Your FIGMENT Weekend project can be submitted by an individual or collective of individuals. Projects will be selected based on creativity, interactivity, structural integrity, context and impact, sustainability, feasibility, budget, and community involvement.
Deadline: May 1, 2012
Details about this opportunity for artists can be found on our website at: http://newyork.figmentproject.org/get-involved/submit-a-project/
If you ever do leave Greenpoint, check out Greenpoint artist Gabriela Salazar’s public projectFor Closure(Outdoors, the Bronx), freshly installed at the Bronx’s West Farms Sq train station on East Tremont ave. A towering stack of cards made from locally found doors, For Closure illustrates current and ongoing fragility in security and housing while fitting in surprisingly well with its local surroundings. The sheer prefab modularity of the work might have most passerby thinking it a relic of local sixties or seventies urban landscape design.
Monumental and ambitious, Salazar’s new construction furthers a body of work that questions the faith and assumption of architectural structure and support. The Greenpointer was able to talk with Salazar about her last project for The Build Up at Greenpoint’s own Fowler Art’s Collective.
The Specifics of Gabriela Salazar
With the infamous white cube dissolving into the narrative of the real world, artists and exhibitors are exploiting the dialogue found between lively work and worldly surroundings. It was modernism that insisted on hermetic environments. Art today is less autonomous than it has been in over a hundred years and the fresh air continues to invigorate post-profane practices. Continue reading →