While real estate snooping, I spotted a 2500 sq. ft. space on Franklin St, sandwiched between the newly opened People of 2Morrow and the half block of scaffolding that will soon become even more prime retail space on one of Greenpoint’s most booming blocks.
I thought to myself this spot would be perfect for an art gallery and a few weeks later POOF! - Rekover Projects (77 Franklin St) opened – just like that. The first show titled “Before Intersections” is a solo exhibition by space lessee and artist Tristan Fitch, who runs the project space with his partner and women’s accessories designer Katie Hartsough.Continue reading →
A room within a room. A girl within a room, within a room. An artist who hired a girl to live within a room, within a room. This sets the stage for Cy Amundson’s experimental exhibition at Rawson Projects, Emily’s Dorm Room, open through January 16, 2014.
Amundson placed an ad online at NYU for a participant to live inside a dorm room he built in a modestly sized gallery on Franklin St in Greenpoint for over one month. He originally hoped to meet an art student but luckily ended up with Emily, a sophomore pursuing a degree in Gender Studies, whose main area of interest is how women are portrayed in the media.
Last Friday night, I had the pleasure of speaking with Michal Geva, a painter currently taking a residency in Greenpoint, where she is further exploring the intersection of art and nature – a theme interwoven throughout her work and illuminated in different ways with each series. The neighborhood is a relevant setting for such topics, with the proposed development that might be taking place over the next few years, both on the waterfront and deeper into Greenpoint proper.
Michal, a citizen of Israel and honorary one in Greenpoint, had some great things to say about the neighborhood and the inspiration behind her latest collection, “Land Scope,” which opened at Java Studios this past weekend. Continue reading →
What pictures would you pick of yourself for a “now and then” slideshow? Would the choices accurately depict progression or would they represent a cultivated presentation of how you’d like to be thought of?
Calico Brooklyn’s “Throwback Thursday” is an art show that compares old and new works from a kind of high school yearbook haircut stance (the title comes from the urban dictionary definition to this effect). Pairings by ten artists are hung with a newer piece on the right and an older piece to the left. Continue reading →
Opening: Friday September 13, 2013, 7-9pm
Exhibition: 9/13/13 – 9/30/13
There is never a better time than now, but the moving target of “in the moment” is ever elusive. We are often told to “let go of the past” and “stop worrying about the future.” At the same time we are told that patience is a virtue and that we must wait for the “right time.”
But what about now? What is now? Right here. Right now.
Now is a time and place. We are all inspired by our time – the year 2013 – and our space, which is Greenpoint, Brooklyn, USA, the planet. This will be the loose connecting theme among the artwork chosen. Special considerations will be given to works that consider time and place.
All mediums accepted.
The show titled “NOW” will present the contemporary artwork of artists living or working in Greenpoint – work that has been created specifically for this show or within the last 6 mo, as well as work created on site during the opening reception on 9/13/13. Progressions of pieces: studies along with completed work will be accepted. Unfinished works will also be accepted. Artwork will be created on site during the opening.
The show will serve as a “snapshot” of the contemporary art community in Greenpoint, Brooklyn during the year of 2013.
Submission deadline: August 15, 2013
Email the following to greenpointers (at) gmail.com
Subject Line: “NOW” (Your Name)
In the email include the following information:
Attach small jpg(s) images of artwork(s) for consideration:
For all work submitted include: name of piece, size in inches, medium, price
Brief summary of work to make for the show and/or during the opening (if applicable):
If your work is chosen you will be notified and must be available to drop off your work during the week of Monday September 9th and pick-up your work on September 30, 2013.
Greenpoint art gallery Beginnings (110 Meserole Ave) opened last August and tonight Monday August 29, 2013 from 6-10pm is their last show – aptly titled, “The End.”
A note on their website reads:
It’s been a great and satisfying run—so we’ve decided to stop. New mental, spiritual and geographic priorities have arisen—the gallery evaporates in waves of heat. Time does a cycle. Time does a flip … We’ll keep Beginnings — as a thing, continue to produce the video series and probably think up some other projects. It’s impossible to stop. How could you ever stop something called Beginnings —?
“#throwbackthursday / #flashbackfriday” will open at Calico Gallery (67 West St #206) in September as part of the next Greenpoint Gallery Night. The exhibit will consider the theme of “nostalgia” as it pertains to the artist regarding his/her former works. Please read the “call for work” below if you’d like to submit. There is no submission fee.
Jurors for this exhibit are:
Scott Chasse, founder/director of Calico
Hrag Vartanian, editor-in-chief & co-founder of Hyperallergic
Throwback Thursday: When you put a picture from a “while” ago on your social media sites. -Urban Dictionary
Instagram and other social medias are flooded at the end of each week with “nostalgic” images featuring the hashtag notations “#throwbackthursday and #flashbackfriday”. These pics of our former selves sporting bad hair, tacky prom dresses, sitting on dad’s lap, or playing the oboe in high school band used to hide under the bed in an old shoe box. Their weekly resurrection has become money-in-the-bank in our online economy of “likes” and “shares”.
As artists, are we as willing to share images from our potentially cringeworthy artistic pasts? Or, could the older work be a “younger, hotter” version of its modern incarnation? Perhaps there is an outright cohesiveness in your work that has withstood the test of time? Calico invites you to dig deep into your portfolio and submit your artwork from yesteryear for consideration in the upcoming juried exhibition “#throwbackthursday / #flashbackfriday”.
Selected artists will exhibit one current piece (for perspective) and one piece from the past – the longer ago, the better. Space is limited and submissions will only be accepted in the following format:
send one email to calicosubmit (at) gmail.com
subject line: “throwback”
• Submissions due by Mon, Aug 5 – midnight
• Selected artists announced Fri, Aug 16
• Exhibition dates: Sept 13 – Oct 4, 2013
include in your submission:
-1-3 images of OLD work that you currently have available
-2 images of CURRENT work that is currently available
( web-friendly 72dpi images preferred)
-title, medium, dimensions, and year produced for each image
-your website or comparable link
Selection will be based on how interesting the relationship is between current and former works.
A great Greenpoint gallery called Calico Brooklyn opened this past year and contributed 10 amazing art shows that represented over 50 local artists in our art community. It was a lot of fun to go to the shows, see inspiring work, mingle with talented people and drink free beer. But organizing and installing art shows isn’t free and the first season was funded out of pocket by gallerist Scott Chasse, who also organized the Greenpoint Gallery night.
This gentleman is contributing a lot of his time and resources for the art culture in our neighborhood. For season 2, which will begin in September, with plans to produce another 10 shows, he is asking for the community to help him raise $5000. He has already raised $4,200 and has 1 day to go. Help get him to his goal and look forward to some really fun Friday art nights.
There are tons of great “perks” for donating, but I do recommend donating at the $250 level because you will receive an original piece of artwork by artists who have kindly donated their work to the gallery’s fundraiser who normally sell it for way more money. That’s not a donation – thats an investment in artwork!
Currently showing at Yes! Gallery, a beautiful basement space curated by Lesley Doukhowetzky on India Street, is a collection of drawings and watercolors by artist Lorene Taurerewa called Watercolors and Other Things.... My impressions of this show can be neatly separated between her technique and her subjects. I immediately found a deep respect for her mastery of the human figure and of the subtle variations within a set of colors that watercolor paints allow. On the other hand, I felt alternately disengaged and deeply troubled by her choices of subject matter. Her techniques elegantly evoke the human form while simultaneously imbuing it with an ethereal quality that lends her subjects license to appear in dreamlike (perhaps nightmarish) positions, and her ability to subtly use color transitions only available to the watercolor medium to set mood is evident throughout the exhibition. It may only be my own personal biases against monkeys and clowns – especially in combination – that lead me to find many of her paintings deeply unsettling. The juxtaposition of a practiced technique against an overtly childish motif – Batman appears in several of her works, for example – may work for some but may disengage others.
Further north at 390 McGuinness Boulevard lies The Greenpoint Gallery. Residing in a multi-level space shared with a mixed showing of sculpture and painting, Friday’s opening was of paintings by artist Walker Fee. Mr. Fee’s work included large-scale paintings that span multiple wooden panels with various scenes covering both idyllic cityscapes and emotionally-charged excerpts from the religious mind. Judgement, a painting on six thin wooden panels and pictured at right, brought illustrations of Dante’s Inferno by Gustave Doré and William Blake to mind. Outlines of sinners, all the more powerful by their being more suggested in the imagination rather than painted in whole, are driven before a livid golden backdrop. While the effect was powerful, I believe that the work presented suffered from being poorly hung and presented – it appeared to have been painted on plywood and mounted so as to not support the middle of each panel, which therefore slouched against the wall.