White gallery walls can be sterile and uninviting, not to mention downright distracting. The first thing you will notice at the current show on view at Cleopatra’s is the unique installation of images on a long and low platform in the middle of the gallery. Presented this way, the series of eight black and white prints by Harsh Patel titled “New Typography,” invites the viewer to turn their back on the walls closing in. The aerial panoramic arrangement unites each work in an uninterrupted visual experience rather than dispersed between dull blank pauses bringing to mind the common phrase “it all depends on how you look at it.” Continue reading
Currently showing at Cleopatra’s, a small art gallery (sidenote: here’s a brief story about its inception) tucked into a thin slice of space on a quiet stretch of Meserole, is an array of drawings by Poznań, Poland based artist Leszek Knaflewski, or, as he signs his drawings, Knaf. I’ll leave Cleopatra’s website to chronicle the lion’s share of the history of Knaf’s work, but it is important to recognize his work in the context of the collective with which he associated, Kolo Klipsa.
The works on display at Cleopatra’s utilize a number of quotidian images – boxy, stereotypical houses, basic furniture, trees, cats, and so forth – run through Knaf’s surreal imagination before being drawn out. It reminded me of images that you may hold in your mind of half-remembered places and people to which you ascribe dreamlike qualities to make up for a lack of actual details. Did the vase look like the cat, or did the cat look like the vase? Simple inversions in elements of even the most basic drawings, as in the work pictured above, add a depth to images that far exceeds their composition.
Knaflewski’s work will be on display at Cleopatra’s (110 Meserole Avenue) until May 27.